Showing posts with label Self mutilation. Show all posts
Showing posts with label Self mutilation. Show all posts

Nuclear Risk Soar

SUBHEAD: The US is modernizing and expanding its nuclear weapons capabilities, to the detriment of all.

By Jon Letman on 16 July 2019 for Truthout -
(https://truthout.org/articles/as-us-modernizes-its-nuclear-arsenal-costs-and-risks-soar/)


Image above: Illustration of nuclear weapons carrying missiles over sunset on American flag. From original article.

On July 16, 1945, the U.S. detonated the first-ever nuclear device in the New Mexico desert. Less than a month later, it dropped two more atomic bombs, destroying Hiroshima and Nagasaki, killing and injuring more than 200,000 civilians.

Today, 74 years later, President Donald Trump has elbowed his way to the precipice of war threatening fire, fury and obliteration against one state that has nuclear weapons (North Korea) and one that doesn’t (Iran). In June, shortly after Trump reportedly called off a military strike against Iran with just 10 minutes to spare, he lashed out on Twitter: “Iran cannot have Nuclear Weapons!”

Meanwhile, the United States is pushing forward with plans to modernize, upgrade and rebuild its own aging nuclear stockpile. Over the next 30 years, the U.S. will spend at least $1.2 trillion on maintaining and modernizing nuclear weapons. With inflation, cost overruns and common under-estimation of weapon systems, the final cost of the U.S. nuclear enterprise could be as high as $2 trillion.

Trump’s 2020 budget alone calls for $16.5 billion (an increase of 8.3 percent over 2019) for the Department of Energy (DOE)/National Nuclear Security Administration (NNSA) which maintains the U.S. nuclear stockpile.

When President Obama delivered his landmark Prague speech in 2009, he spoke of a U.S. commitment “to seek the peace and security of a world without nuclear weapons,” but quickly adopted the language of the NNSA: “As long as these weapons exist, the United States will maintain a safe, secure and effective arsenal to deter any adversary, and guarantee that defense to our allies.”

A decade later, the U.S.’s nuclear triad — weapons based on land, air and sea — is being granted a life extension, fueling a boon to the weapons industry and prompting opponents to warn of an expensive, potentially deadly new nuclear arms race.

The idea of modernizing the stockpile was born, in part, from the decision to end nuclear weapons explosive testing in 1992. The resulting Stockpile Stewardship Management Plan modernizes existing nuclear weapons through life-extension programs, modifications and alterations in order to maintain a nuclear deterrent.

While “life extension” is meant primarily as a means of refurbishing specific nuclear weapons, it is also a prime driver for nuclear delivery vehicles (missiles, submarines, bombers) to be newly redesigned as more capable, faster, stealthier systems, making the overall nuclear arsenal more lethal.

The NNSA did not agree to speak to Truthout for this story, but an NNSA spokesperson did confirm by email that it is currently executing five major nuclear weapons modernization programs. Those programs include a gravity bomb and an air-launched cruise missile whose nuclear yield can be dialed up or down (adjusted), allowing for greater flexibility.

Among the modified warheads is the W76-2, a lower yield (5-7 kilotons) version of the earlier more powerful (100 kiloton) W76-1. By comparison, the bombs that destroyed Hiroshima and Nagasaki were around 15 and 20 kilotons respectively.

The first W76-2 warhead was completed in February at the United States’s only nuclear weapons assembly and disassembly facility, the Pantex Plant near Amarillo, Texas. However, in June, House Democrats blocked funding for deployment of the W76-2 onto submarine-launched ballistic missiles.

Opponents of new low-yield “mini nukes” argue that bombs with an adjustable selective yield option can produce less radioactive fallout, and may thereby lower the threshold for using them, making a nuclear conflict more likely. Currently, the U.S. stockpile includes around 1,000 warheads with selective yield options, some believed to be as low as 0.3 kilotons (exact yields are classified).

“Even the lowest yield is a very large explosive force compared to even the biggest conventional weapons that humans have been able to build,” said Hans Kristensen, director of the Nuclear Information Project at the Federation of American Scientists (FAS).

He points out that the U.S. is not alone in modernizing and upgrading its nuclear arsenal. All nine nuclear states have their own version of modernization reflecting the maturity of their program. The idea that Russia, for example, is modernizing, and the U.S. is “falling behind” is a mischaracterization of the real situation, says Kristensen.

“All countries use that [argument] to their advantage,” Kristensen told Truthout.

Modernization proponents include Wyoming Congresswoman Liz Cheney, who said in a May press release, “Congress must invest in the modernization of our nuclear triad and the additional low-yield capabilities called for in the 2018 Nuclear Posture Review. These investments are critical to America’s ability to provide credible deterrence and rein in China and Russia.”

In the same release, Arkansas Sen. Tom Cotton argued future arms-control agreements should take into account Russia and China’s own nuclear expansion and modernization efforts.

Plans to use nuclear weapons are not just an abstraction for U.S. military planners. As the FAS’s Steven Aftergood reported, the Joint Chiefs of Staff posted an updated version of U.S. nuclear policy that included the passage: “Using nuclear weapons could create conditions for decisive results and the restoration of strategic stability … specifically, the use of a nuclear weapon will fundamentally change the scope of a battle and create conditions that affect how commanders will prevail in conflict.” FAS noted that the original document was quickly taken offline (but not before being preserved).

The above passage provoked concern because people saw it as a greater willingness to consider the use of nuclear weapons. “Rattling the nuclear sword a little more explicitly,” Kristensen said, noting that the language was consistent with half a century of nuclear strategy, but he was struck by the bluntness of the message at a time when the Trump administration is seeking low-yield nuclear weapons.

“To me, those things coinciding is a worrisome trend that we may be seeing signs here that … what you could call nuclear war planning operations are becoming a little more active than they were before,” Kristensen said.

Proponents argue modernization is essential to maintaining a “safe, secure, and effective” arsenal, but modernization can represent many different things. It may be something relatively simple, such as replacing components to extend the life of a warhead, to highly complex redesigns that carry the risk of introducing uncertainty and reducing confidence that a weapon will work.

Kristensen says it may be possible that at some point, a military commander could say they lack confidence that the weapon will function as intended. “The United States, therefore, could back itself into a corner where it would be forced to conduct a reliability test — a live nuclear test of that warhead to figure out it if really worked,” Kristensen said. To do so, he warned, would set off a cascade of nuclear tests around the world.

Tom Collina is the director of policy for the Ploughshares Fund, a global security foundation seeking to reduce nuclear risks. He calls the modernization of the U.S. arsenal “excessive and dangerous,” and argues that an adequate deterrence can be achieved with far fewer missiles than the U.S.’s more than 6,000 warheads.

“The more [nuclear weapons] that you build beyond what you need, not only is it very expensive — billions and billions of dollars — but it encourages Russia to build up as well so you create a new arms race,” Collina told Truthout.

According to Collina, the combination of rebuilding the U.S. nuclear stockpile and Trump’s efforts to pare down and withdraw from arms control agreements suggest a dangerous new arms race against Russia is in the making.

“We are planning our whole nuclear policy against the possibility of an intentional attack from Russia — a bolt from the blue,” Collina says. Rather, the U.S. should be more concerned about bumbling into a nuclear war through miscalculation, poor judgment by the president, or a false alarm.

Doubling down on Cold War-era threat perceptions, spending up to $2 trillion to rebuild nuclear weapons based on the past actually increases the danger of an accidental war, Collina argues. “Today we have a very different threat and we’ve never adjusted.”

Collina distinguishes between replacing components that remain unchanged and designing new parts that will result in a new, untested (currently untestable) weapon. “This is the danger when you give these assignments to the weapons laboratories (Lawrence Livermore and Los Alamos) because these people like to design stuff. They like to make new things. They like to improve things — it’s kind of their nature,” he says.

In contrast to the positive “safe, secure and reliable” language used by the nuclear weapons industry, Collina offers a more sobering description, calling them “incredibly dangerous killing machines … these are weapons that annihilate women and children.”

He continues, “This is why nuclear weapons are different from any other weapon in the U.S. arsenal…. They do not discriminate between combatants and noncombatants, between civilians and military. They kill anyone, anywhere, nearby. This is why they are not weapons of war. They are weapons of mass destruction.”

After more than 135 nations adopted the United Nations Treaty on the Prohibition of Nuclear Weapons in 2017, the International Campaign to Abolish Nuclear Weapons (ICAN) was awarded the Nobel Peace Prize.

ICAN’s executive director, Beatrice Fihn, told Truthout that while the overall global number of nuclear weapons continues to gradually decline, those that remain are being modernized, upgraded and given new missions.

“The total number keeps going down very slowly … but they are also making these upgrades and alterations of nuclear weapons, which means that the qualitative impact of using them is not going down; rather the opposite — they’re planning for new types of nuclear warfare scenarios,” Fihn said. “It shows that they are expanding on the type of scenarios where they think that nuclear weapons can be used.”

As technology advances at a pace with which humans are struggling to keep up, Fihn worries that artificial intelligence, cyber warfare, autonomous weapons systems and other emerging technologies increase nuclear risks exponentially.

According to Fihn, the nuclear weapons industry has very successfully used the highly technical and complex nature of nuclear weapons to keep the general public in a state of feeling helpless and completely removed from the decision-making process.

In pursuing the nuclear ban treaty, ICAN is following the examples of successful campaigns that have led to the prohibition of biological and chemical weapons, landmines and cluster munitions. Fihn says there’s a need to strip nuclear weapons of the mystique of being viewed as a security tool with almost magical powers.

“As long as governments believe nuclear weapons are the ‘ultimate security guarantee,’ they won’t be abandoned,” says Fihn, adding that the commonly accepted notion that it’s necessary to maintain and modernize nuclear stockpiles runs counter to the idea of ridding the world of nuclear weapons.

To argue in favor of “keeping nuclear weapons until they are gone” is an incoherent argument, she says. To do so is to never give up nuclear weapons, Fihn argues. She believes nuclear weapons, like other weapons of mass destruction, need to be delegitimized.

The Treaty on the Prohibition of Nuclear Weapons, Fihn says, “is the vehicle where we stigmatize and reject nuclear weapons so that they are seen as unattractive, problematic, dangerous — what they actually are is a security threat to anyone who has them.”






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Sculptures from the Anthropocene

SUBHEAD: Once lost, do the wonders of our world just get forgotten and cease to mean anything to us?

By Glenn Morris on 12 June 2017 for The Dark Mountain -
(http://dark-mountain.net/blog/sculptures-from-the-anthropocene/)


Image above: Sculpture #1 From Anthropocene series by Glenn Morris. From original article.

Our tenuous hold on life – framed, as it were, within our doctrine of ‘living in the moment’ – seems all the more fragile when one considers the sheer inability displayed by the human species to understand and act on the threats now posed to society.

The damage wreaked on our environment by the emissions of toxic chemicals, habitat destruction and the paradigm of ‘growth whatever the cost’ continues, and yet for world governments it’s still business as usual.

From an early age (birth to be precise), our education is designed to rule out informed interrogation into the order of things; subject matter is fed to us purely to equip us for the world of work. The idea that people could live and thrive in an alternative construct of society does not even get discussed, unless it is past cultures which are conveniently described as ‘primitive’.

The receptive brain of a child soaks up all it is told; by the time the few with enough imagination to challenge the perceived wisdom voice their thoughts it is too late, they realise they can have any colour – as long as it is black.

As a child, my mother took me to London’s Natural History Museum and, like most children, I was spellbound by the huge dinosaur skeletons – their vastness, their teeth and claws, the sheer scale left me wide-eyed with wonder; and yet, despite the obvious power of these creatures, we were told at school that they were weak and died out very quickly, whereas humans were highly successful, they invented tools, grew food, and, above all, were ‘civilised’.

I believed this. In reality, modern human time can be measured in a few tens of thousands of years (with only the last 200 years witnessing the destruction of the environment on a major scale, to the point where the future of humanity is brought into question), whereas the dinosaurs, that weak, ill-equipped species, actually existed for around 160 million years! To my way of thinking, that’s pretty successful.

Seeing these vast vestiges of past life standing still on display in a museum setting, and seeing how we, as humans, view ourselves in terms of time and our place in the world, led me to the area of creative activity that I am currently working on. Humankind now faces the end of an existence in which the planet’s resources can be plundered, destroyed and polluted with complete abandon.

It would be easy, as is often done, to blame individuals; in fact, the simple truth is that the current way society is organised is based on growth and profit – the environment, the life with which we share the planet, and indeed people themselves, come second to these objectives.

Most people find it impossible to imagine a society that is fundamentally different from that in which we now live – we are told that people are ‘naturally’ selfish, it’s just progress or ‘we’ve got to move on’.

Why must we believe this? It is interesting to consider than when the Palaeolithic hunter-gatherer societies made the transformation into the Neolithic, agrarian societies, this did not happen over thousands of years – it was a matter of a few generations.

To change society into a form in which we grasp the concept of what it is to be human and how we live alongside each other in a mutually happy and beneficial way can happen; it just needs people to understand that this society is flawed and cannot be allowed to continue. I say again – it is not the people but the model we choose to live under.

As I write this, a brief radio news item tells us that scientists have reported that two-thirds of coral on Australia’s Great Barrier Reef have now been destroyed – bleached and dead as the water temperatures rise. This was quickly followed by some sports news, then probably forgotten by most listeners.

Once lost, do the wonders of our world just get forgotten and cease to mean anything to us? I have never seen a coral reef, but I certainly want it to continue to exist, as I do wildflower meadows, elephants, honey bees, butterflies and indeed, numerous life forms that are now threatened with extinction.


Image above: Sculpture #2 From Anthropocene series by Glenn Morris. From original article.

Imagine for a moment the Palaeolithic hunter; he is hungry, his sense are heightened and acute to a level we simply cannot imagine, he looks out onto a landscape untouched by human activity: rivers full of fish, unimaginable numbers of birds and animals, the air clear and scented with the nearby plants – that is his normality.

Would he be troubled by the past or future? What we see today is our reality; if we have never heard a corncrake or seen flocks of lapwings, can we be expected to regret their disappearance?

Do young people, shackled as they are to a life of screens, social media and the importance of self, trouble themselves over coral reefs or the decline of butterflies? Do they need to?

What they experience is their normality. But I am worried, very worried that our senses have been cauterised and the sheer beauty of life is ebbing away and; in the end, it will not be there even if we want it.

I am fortunate in that my working life has allowed me to spend considerable periods of time over many years living in remote areas, predominantly the Arctic.

Through living with the Inuit, still – to some extent, a hunter-gatherer culture– one gets a profound sense of the importance of our connection with the land and animals that provide the means of survival; furthermore (and this seems to happen only after a relatively long period of time), living in a place where human figures are mere specks within a vast untouched landscape, a true wilderness, gives one a clear and deep sense of just how insignificant we are.

To journey through a wilderness with an open mind and for a long enough period of time can allow a person to begin to experience a different level of consciousness which, in ‘normal’ life, would not be attainable.

Some years ago I was nearing the end of a 400-mile journey across Greenland’s vast ice cap. I had pulled a loaded sledge containing my food, tent and fuel, but little else for comfort or entertainment. I had one companion.

After 40 days of grinding labor across endless ice fields, mountains and crevasses, I saw the fjords and mountains of the west coast; by this time we had virtually no food and I knew the feeling of hunger.

The reason I mention this is because as we left the ice and entered the Arctic rocks and tundra, at the point where the ice sheet meets ‘land’, I had an overwhelming feeling of connection and ‘oneness’ with the hostile terrain I found myself in – it seemed somehow linked to my inner self; I felt hardwired into the landscape, liberated, and was seeing my surroundings through the eyes of a wild animal. It was a truly wonderful feeling which, sadly, dissipated soon after we finally reached a small town on the west coast.

I felt later that this power of connection to nature, the environment and landscape would have been normal for early hunter-gatherer cultures, so much so that they would not have reflected on it any more than we might on other human responses such as sadness, love or pain.

The current human condition, particularly in the western world, gives little opportunity and virtually denies people the ability to engage with nature and the environment.

The fact that beauty, wonder, happiness and the profound feeling of what it is to be human can be obtained without cost, and simply by engaging with our world, does not sit well with market forces or with companies trying to sell happiness through acquisition.

Our society has now reached the point where scientists are describing the beginning of a new epoch – Anthropocene. The actual geological strata is being affected by the production of plastics, concrete and radionuclides.

This, alongside continued and increasing production of carbon means that the human species is successfully and relentlessly destroying the agar jelly of its own petri dish. Society has now reached a state where the majority of people have, not out of choice, ceased to have links with or engage with nature and the environment in a meaningful way.

Why are we not seeing mass worldwide protests against a society that is leading us by the hand, willingly it would seem, to an existence that, at best, will be irretrievably damaged or worse, terrifying and dangerous?


Image above: Sculpture #3 From Anthropocene series by Glenn Morris. From original article.

As a sculptor, these questions and concerns constantly flow through my thought processes and subconsciously, or even consciously, guide the chisels, drills and clay of what I do.

My chosen materials– stone, metals and earth– and the means of construction– fire and the impact of hammer against stone – also seem to bring something of the land into the work.

I have been privileged and lucky enough to feel and have intimate contact with the beauty of our world, but sometimes feel that I am shouting at people who are moving towards danger through sound-proofed glass.

I make sculpture because I feel happy working in three dimensions but, moreover, it is the way I feel best able to explore my inner concerns and the way humans have become so entirely self-absorbed and inured to uncomfortable and incontrovertible evidence of damage to the very things that sustain us.

My most recent works set out to confront and explore the way in which we view our past as a species, and our relationship with time itself. I am interested in how we erroneously see ourselves as indestructible.

The three figures constructed under the generic title of ‘Anthropocene’ form part of a wider group, designed not as sculptures to be seen close up, but within a landscape, or even ‘unseen’. They were assembled and placed in remote, often mountainous or moorland settings, and left in situ.

I did not mind whether they were seen or not; if they were seen, then ideally it would be from a distance. Although the figures are three times life size, and at close quarters have a monumental sense about them, they rapidly become insignificant, even invisible, once any distance is put between them and the viewer.

I tried to imbue both a sense of power and sadness or melancholy into the figures. I wanted all to have qualities of dark industry as well as extreme vulnerability.

In his recent book The Great Derangement, Amitav Ghosh examines the inability, of literature and politics to embrace and grasp the enormity of the catastrophe that awaits us, and questions how future generations will look back on our response (denial?) to this.

I feel that artists should be dealing with the unspeakable, using this conduit to communicate in a visceral way that sometimes only art can.

Climate change – like warfare, pollution, starvation and the alteration of the planet’s surface – is a symptom of how our society is organized; until humans realize that a system based on growth and profit will ultimately self destruct, then we can expect ‘business as usual’ as we herald the dawn of the new epoch.

All photographs are from Glenn Morris’s ‘Anthropocene’ series. The sculptures are made from recycled timbers and forged iron.

• Glenn Morris‘s work is inspired and informed by the beauty and harshness of the environment in the far north, and by our relationship and response to the loss of things that possess beauty in any form. He works predominantly in stone and mixed media, using traditional carving techniques. The forms and works tend to follow two or three lines of exploration: the sensual and feminine, the masculine, industrial form and more objective comments on things environmental. He has a first class degree in sculpture and has had work exhibited in public areas and also at the Royal Academy. glennmorris.co.uk
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Do you, Mr Jones?

SUBHEAD: A sinister host of adversaries are coming after Trump and are going to get rid of him one way or another.

By James Kunstler on 22 May 2017 for Kunstler.com -
(http://kunstler.com/clusterfuck-nation/do-you-mr-jones/)

http://www.islandbreath.org/2017Year/05/170522highway61big.jpg
Image above: Portrait of Bob Dylan on LP record album cover of "Highway 61 Revisited" on which "Ballad of a Thin Man" was released in 1965. From (https://genius.com/Bob-dylan-ballad-of-a-thin-man-lyrics). Click to enlarge.

In case you wonder how our politics fell into such a slough of despond, the answer is pretty simple. Neither main political party, or their trains of experts, specialists, and mouthpieces, can construct a coherent story about what is happening in this country — and the result is a roaring wave of recursive objurgation and wrath that loops purposelessly towards gathering darkness.

What’s happening is a slow-motion collapse of the economy. Neither Democrats or Republicans know why it is so remorselessly underway. A tiny number of well-positioned scavengers thrive on the debris cast off by the process of disintegration, but they don’t really understand the process either — the lobbyists, lawyers, bankers, contractors, feeders at the troughs of government could not be more cynical or clueless.

The nation suffers desperately from an absence of leadership and perhaps even more from the loss of faith that leadership is even possible after years without it.

Perhaps that’s why so much hostility is aimed at Mr. Putin of Russia, a person who appears to know where his country stands in history, and who enjoys ample support among his countrymen. How that must gall the empty vessels like Lindsey Graham, Rubio, Schumer, Feinstein, Ryan, et. al.

So along came the dazzling, zany Trump, who was able to communicate a vague sense-memory of what had been lost in our time of American life, whose sheer bluster resembled something like conviction as projected via the cartoonizing medium of television, and who entered a paralysis of intention the moment he stepped into the oval office, where he proved to be even less authentic than the Wizard of Oz.

Turned out he didn’t really understand the economic collapse underway either; he just remembered an America of 1962 and though somehow the national clock might be turned back.

The industrial triumph of America in the 19th and 20th century was really something to behold. But like all stories, it had a beginning, a middle, and an end, and we’re closer to the end of that story than the middle. It doesn’t mean the end of civilization but it means we have to start a new story that provides some outline of a life worth living on a planet worth caring about.

For the moment the fragmentary stories of redemption revolve around technological rescue remedies, chiefly the idea that electric cars will save the nation. This dumb narrative alone ought to inform you just how lost we are, because the story assumes that our prime objective is to remain car-dependent at all costs — when one of the main features in the story of our future is the absolute end of car dependency and all its furnishings and accessories. We can’t imagine going there. (How would you, without a car?)

The economy is collapsing because it was based on cheap oil, which is no longer cheap to pull out of the ground — despite what you might pay for it at the pump these days. The public is understandably confounded by this.

But their mystification does nothing to allay the disappearance of jobs, incomes, prospects, or purpose. They retreat from the pain of loss into a fog of manufactured melodrama featuring superheros and supervillains and supernatural doings.

Donald Trump could never be a Franklin Roosevelt or a Lincoln. These were figures who, if nothing else, could articulate the terms that reality had laid on America’s table in their particular moments of history. Mr. Trump can barely speak English and his notions about history amount to a kind of funny papers of the mind.

A sinister host of adversaries who ought to understand what is happening in this country, but don’t, or can’t, or won’t, are coming after him, and they are going to get rid of him one way or another. They have to. They must. And they will.




Ballad of a Thin Man
by Bob Dylan - 1965

You walk into the room with your pencil in your hand
You see somebody naked and you say, "Who is that man?"
You try so hard but you don't understand
Just what you will say when you get home
Because something is happening here but you don't know what it is
Do you, Mr. Jones?

You raise up your head and you ask, "Is this where it is?"
And somebody points to you and says, "It's his"
And you say, "What's mine?" and somebody else says, "Well, what is?"
And you say, "Oh my God, am I here all alone?"
But something is happening and you don't know what it is
Do you, Mr. Jones?

You hand in your ticket and you go watch the geek
Who immediately walks up to you when he hears you speak
And says, "How does it feel to be such a freak?"
And you say, "Impossible!" as he hands you a bone
And something is happening here but you don't know what it is
Do you, Mr. Jones?

You have many contacts among the lumberjacks
To get you facts when someone attacks your imagination
But nobody has any respect, anyway they already expect you to all give a check
To tax-deductible charity organizations.

Ah, you've been with the professors and they've all liked your looks
With great lawyers you have discussed lepers and crooks
You've been through all of F. Scott Fitzgerald's books
You're very well-read, it's well-known
But something is happening here and you don't know what it is
Do you, Mr. Jones?

Well, the sword swallower, he comes up to you and then he kneels
He crosses himself and then he clicks his high heels
And without further notice, he asks you how it feels
And he says, "Here is your throat back, thanks for the loan"
And you know something is happening but you don't know what it is
Do you, Mr. Jones?

Now, you see this one-eyed midget shouting the word "Now"
And you say, "For what reason?" and he says, "How"
And you say, "What does this mean?" and he screams back, "You're a cow!
Give me some milk or else go home"
And you know something's happening but you don't know what it is
Do you, Mr. Jones?

Well, you walk into the room like a camel, and then you frown
You put your eyes in your pocket and your nose on the ground
There ought to be a law against you comin' around
You should be made to wear earphones
'Cause something is happening and you don't know what it is
Do you, Mr. Jones?

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