Do you, Mr Jones?

SUBHEAD: A sinister host of adversaries are coming after Trump and are going to get rid of him one way or another.

By James Kunstler on 22 May 2017 for -
Image above: Portrait of Bob Dylan on LP record album cover of "Highway 61 Revisited" on which "Ballad of a Thin Man" was released in 1965. From ( Click to enlarge.

In case you wonder how our politics fell into such a slough of despond, the answer is pretty simple. Neither main political party, or their trains of experts, specialists, and mouthpieces, can construct a coherent story about what is happening in this country — and the result is a roaring wave of recursive objurgation and wrath that loops purposelessly towards gathering darkness.

What’s happening is a slow-motion collapse of the economy. Neither Democrats or Republicans know why it is so remorselessly underway. A tiny number of well-positioned scavengers thrive on the debris cast off by the process of disintegration, but they don’t really understand the process either — the lobbyists, lawyers, bankers, contractors, feeders at the troughs of government could not be more cynical or clueless.

The nation suffers desperately from an absence of leadership and perhaps even more from the loss of faith that leadership is even possible after years without it.

Perhaps that’s why so much hostility is aimed at Mr. Putin of Russia, a person who appears to know where his country stands in history, and who enjoys ample support among his countrymen. How that must gall the empty vessels like Lindsey Graham, Rubio, Schumer, Feinstein, Ryan, et. al.

So along came the dazzling, zany Trump, who was able to communicate a vague sense-memory of what had been lost in our time of American life, whose sheer bluster resembled something like conviction as projected via the cartoonizing medium of television, and who entered a paralysis of intention the moment he stepped into the oval office, where he proved to be even less authentic than the Wizard of Oz.

Turned out he didn’t really understand the economic collapse underway either; he just remembered an America of 1962 and though somehow the national clock might be turned back.

The industrial triumph of America in the 19th and 20th century was really something to behold. But like all stories, it had a beginning, a middle, and an end, and we’re closer to the end of that story than the middle. It doesn’t mean the end of civilization but it means we have to start a new story that provides some outline of a life worth living on a planet worth caring about.

For the moment the fragmentary stories of redemption revolve around technological rescue remedies, chiefly the idea that electric cars will save the nation. This dumb narrative alone ought to inform you just how lost we are, because the story assumes that our prime objective is to remain car-dependent at all costs — when one of the main features in the story of our future is the absolute end of car dependency and all its furnishings and accessories. We can’t imagine going there. (How would you, without a car?)

The economy is collapsing because it was based on cheap oil, which is no longer cheap to pull out of the ground — despite what you might pay for it at the pump these days. The public is understandably confounded by this.

But their mystification does nothing to allay the disappearance of jobs, incomes, prospects, or purpose. They retreat from the pain of loss into a fog of manufactured melodrama featuring superheros and supervillains and supernatural doings.

Donald Trump could never be a Franklin Roosevelt or a Lincoln. These were figures who, if nothing else, could articulate the terms that reality had laid on America’s table in their particular moments of history. Mr. Trump can barely speak English and his notions about history amount to a kind of funny papers of the mind.

A sinister host of adversaries who ought to understand what is happening in this country, but don’t, or can’t, or won’t, are coming after him, and they are going to get rid of him one way or another. They have to. They must. And they will.

Ballad of a Thin Man
by Bob Dylan - 1965

You walk into the room with your pencil in your hand
You see somebody naked and you say, "Who is that man?"
You try so hard but you don't understand
Just what you will say when you get home
Because something is happening here but you don't know what it is
Do you, Mr. Jones?

You raise up your head and you ask, "Is this where it is?"
And somebody points to you and says, "It's his"
And you say, "What's mine?" and somebody else says, "Well, what is?"
And you say, "Oh my God, am I here all alone?"
But something is happening and you don't know what it is
Do you, Mr. Jones?

You hand in your ticket and you go watch the geek
Who immediately walks up to you when he hears you speak
And says, "How does it feel to be such a freak?"
And you say, "Impossible!" as he hands you a bone
And something is happening here but you don't know what it is
Do you, Mr. Jones?

You have many contacts among the lumberjacks
To get you facts when someone attacks your imagination
But nobody has any respect, anyway they already expect you to all give a check
To tax-deductible charity organizations.

Ah, you've been with the professors and they've all liked your looks
With great lawyers you have discussed lepers and crooks
You've been through all of F. Scott Fitzgerald's books
You're very well-read, it's well-known
But something is happening here and you don't know what it is
Do you, Mr. Jones?

Well, the sword swallower, he comes up to you and then he kneels
He crosses himself and then he clicks his high heels
And without further notice, he asks you how it feels
And he says, "Here is your throat back, thanks for the loan"
And you know something is happening but you don't know what it is
Do you, Mr. Jones?

Now, you see this one-eyed midget shouting the word "Now"
And you say, "For what reason?" and he says, "How"
And you say, "What does this mean?" and he screams back, "You're a cow!
Give me some milk or else go home"
And you know something's happening but you don't know what it is
Do you, Mr. Jones?

Well, you walk into the room like a camel, and then you frown
You put your eyes in your pocket and your nose on the ground
There ought to be a law against you comin' around
You should be made to wear earphones
'Cause something is happening and you don't know what it is
Do you, Mr. Jones?


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