Showing posts with label Recycling. Show all posts
Showing posts with label Recycling. Show all posts

Our Obsolescent Economy

SUBHEAD: The cost is measured in  eating disorders, depression, social conflict, and  addiction.

By Steve Gorelick on 12 July 2017 in Local Futures  -
(http://www.localfutures.org/our-obsolescent-economy/)


Image above: A Sea of Phones photograph. Photo by Sascha Pohflepp. From original article.

A friend of mine from India tells a story about driving an old Volkswagen beetle from California to Virginia during his first year in the United States. In a freak ice storm in Texas he skidded off the road, leaving his car with a cracked windshield and badly dented doors and fenders.

When he reached Virginia he took the car to a body shop for a repair estimate. The proprietor took one look at it and said, “it’s totaled.” My Indian friend was bewildered: “How can it be totaled? I just drove it from Texas!”

My friend’s confusion was understandable. While “totaled” sounds like a mechanical term, it’s actually an economic one: if the cost of repairs is more than the car will be worth afterwards, the only economically ‘rational’ choice is to drive it to the junkyard and buy another one.

In the ‘throwaway societies’ of the industrialized world, this is an increasingly common scenario: the cost of repairing faulty stereos, appliances, power tools, and high-tech devices often exceeds the price of buying new.

Among the long-term results are growing piles of e-waste, overflowing landfills, and the squandering of resources and energy. It’s one reason that the average American generates over 70% more solid waste today than in 1960.[1]

And e-waste – the most toxic component of household detritus – is growing almost 7 times faster than other forms of waste. Despite recycling efforts, an estimated 140 million cell phones – containing $60 million worth of precious metals and a host of toxic materials – are dumped in US landfills annually.[2]

Along with these environmental costs, there are also economic impacts. Not so long ago, most American towns had shoe repair businesses, jewelers who fixed watches and clocks, tailors who mended and altered clothes, and ‘fixit’ businesses that refurbished toasters, TVs, radios, and dozens of other household appliances.

Today, most of these businesses are gone. “It’s a dying trade,” said the owner of a New Hampshire appliance repair shop. “Lower-end appliances which you can buy for $200 to $300 are basically throwaway appliances.”[3]

The story is similar for other repair trades: in the 1940s, for example, the US was home to about 60,000 shoe repair businesses, a number that has dwindled to less than one-tenth as many today.[4]

One reason for this trend is globalization. Corporations have relocated their manufacturing operations to low-wage countries, making goods artificially cheap when sold in higher-wage countries. When those goods need to be repaired, they can’t be sent back to China or Bangladesh – they have to be fixed where wages are higher, and repairs are therefore more expensive.

My friend was confused about the status of his car because the opposite situation holds in India: labor is cheap and imported goods expensive, and no one would dream of junking a car that could be fixed.

It’s tempting to write off the decline of repair in the West as collateral damage – just another unintended cost of globalization – but the evidence suggests that it’s actually an intended consequence. To see why, it’s helpful to look at the particular needs of capital in the global growth economy – needs that led to the creation of the consumer culture just over a century ago.

When the first Model T rolled off Henry Ford’s assembly line in 1910, industrialists understood that the technique could be applied not just to cars, but to almost any manufactured good, making mass production possible on a previously unimaginable scale. The profit potential was almost limitless, but there was a catch: there was no point producing millions of items – no matter how cheaply – if there weren’t enough buyers for them.

And in the early part of the 20th century, the majority of the population – working class, rural, and diverse – had little disposable income, a wide range of tastes, and values that stressed frugality and self-reliance.

The market for manufactured goods was largely limited to the middle and upper classes, groups too small to absorb the output of full throttle mass production.

Advertising was the first means by which industry sought to scale up consumption to match the tremendous leaps in production. Although simple advertisements had been around for generations, they were hardly more sophisticated than classified ads today.

Borrowing from the insights of Freud, the new advertising focused less on the product itself than on the vanity and insecurities of potential customers. As historian Stuart Ewen points out, advertising helped to replace long-standing American values stressing thrift with new norms based on conspicuous consumption.

Advertising, now national in scope, also helped to erase regional and ethnic differences among America’s diverse local populations, thereby imposing mass tastes suited to mass production.

Through increasingly sophisticated and effective marketing techniques, Ewen says, “excessiveness replaced thrift as a social value”, and entire populations were invested with “a psychic desire to consume.” [5]

In other words, the modern consumer culture was born – not as a response to innate human greed or customer demand, but to the needs of industrial capital.

During the Great Depression, consumption failed to keep pace with production. In a vicious circle, overproduction led to idled factories, workers lost their jobs, and demand for factory output fell further. In this crisis of capitalism, not even clever advertising could stimulate consumption sufficiently to break the cycle.

In 1932, a novel solution was advanced by a real estate broker name Bernard London. His pamphlet, “Ending the Depression through Planned Obsolescence” applauded the consumerist attitudes that advertising created during the 1920s, a time when “the American people did not wait until the last possible bit of use had been extracted from every commodity.

They replaced old articles with new for reasons of fashion and up-to-dateness. They gave up old homes and old automobiles long before they were worn out.” [6]

In order to circumvent the values of thrift and frugality that had resurfaced during the Depression, London argued that the government should “chart the obsolescence of capital and consumption goods at the time of their production… After the allotted time had expired, these things would be legally ‘dead’ and would be controlled by the duly appointed governmental agency and destroyed.”[7]

The need to replace these ‘dead’ products would ensure that demand would forever remain high, and that the public – no matter how thrifty or satisfied with their material lot – would continue to consume.

London’s ideas did not catch on immediately, and the Depression eventually ended when the idle factories were converted to munitions and armaments production for World War II.

But the concept of planned obsolescence did not go away. After the War its biggest champion was industrial designer Brooks Stevens, who saw it not as a government program but as an integral feature of design and marketing.

“Unlike the European approach of the past where they tried to make the very best product and make it last forever,” he said, “the approach in America is one of making the American consumer unhappy with the product he has enjoyed the use of…, and [making him want to] obtain the newest product with the newest possible look.”[8]

Brooks’ strategy was embraced throughout the corporate world, and is still in force today. Coupled with advertising aimed at making consumers feel inadequate and insecure if they don’t have the latest products or currently fashionable clothes, the riddle of matching consumption to ever-increasing production was solved.

The constant replacement of otherwise serviceable goods for no other reason than “up-to-dateness” is most clear at the apex of the garment industry, tellingly known as the “fashion” industry. Thanks to a constant barrage of media and advertising messages, even young children fear being ostracized if they wear clothes that aren’t “cool” enough. Women in particular have been made to feel that they will be undervalued if their clothes aren’t sufficiently trendy. It’s not just advertising that transmits these messages.

One of the storylines in an episode of the 90s sit-com “Seinfeld”, for example, involves a woman who commits the faux pas of wearing the same dress on several occasions, making her the object of much canned laughter.[9]

Obsolescence has been a particularly powerful force in the high-tech world, where the limited lifespan of digital devices is more often the result of “innovation” than malfunction.

With computing power doubling every 18 months for several decades (a phenomenon so reliable it is known as Moore’s Law) digital products quickly become obsolete: as one tech writer put it, “in two years your new smartphone could be little more than a paperweight”.[10]

With marketers bombarding the public with ads claiming that this generation of smartphone is the ultimate in speed and functionality, the typical cell phone user purchases a new phone every 21 months.[11]

Needless to say, this is great for the bottom line of high-tech businesses, but terrible for the environment.

Innovation may be the primary means by which high-tech goods are made obsolete, but manufacturers are not above using other methods. Apple, for example, intentionally makes its products difficult to repair except by Apple itself, in part by refusing to provide repair information about its products. Since the cost of in-house repair often approaches the cost of a new product, Apple is assured of a healthy stream of revenue no matter what the customer decides to do.

Apple has gone even further. In a class-action lawsuit against the company, it was revealed that the company’s iPhone 6 devices were programmed to cease functioning – known as being “bricked” – when users have them repaired at unauthorized (and less expensive) repair shops. “They never disclosed that your phone could be bricked after basic repairs,” said a lawyer for the complainants.

“Apple was going to … force all its consumers to buy new products simply because they went to a repair shop.”[12]

In response to this corporate skulduggery, a number of states have tried to pass “fair repair” laws that would help independent repair shops get the parts and diagnostic tools they need, as well as schematics of how the devices are put together.

One such law has already been passed in Massachusetts to facilitate independent car repair, and farmers in Nebraska are working to pass a similar law for farm equipment.

But except for the Massachusetts law, heavy lobbying from manufacturers – from Apple and IBM to farm equipment giant John Deere – has so far stymied the passage of right-to-repair laws.[13]

From the grassroots, another response has been the rise of non-profit “repair cafés”. The first was organized in Amsterdam in 2009, and today there are more than 1,300 worldwide, each with tools and materials to help people repair clothes, furniture, electrical appliances, bicycles, crockery, toys, and more – along with skilled volunteers who can provide help if needed.[14]

These local initiatives not only strengthen the values of thrift and self-reliance intentionally eroded by consumerism, they help connect people to their community, scale back the use of scarce resources and energy, and reduce the amount of toxic materials dumped in landfills.

At a more systemic level, there’s an urgent need to rein in corporate power by re-regulating trade and finance. Deregulatory ‘free trade’ treaties have given corporations the ability to locate their operations anywhere in the world, contributing to the skewed pricing that makes it cheaper to buy new products than to repair older ones.

These treaties also make it easier for corporations to penetrate not just the economies of the global South, but the psyches of their populations – helping to turn billions of more self-reliant people into insecure consumers greedy for the standardized, mass-produced goods of corporate industry.

The spread of the consumer culture may help global capital meet its need for endless growth, but it will surely destroy the biosphere: our planet cannot possibly sustain 7 billion people consuming at the insane rate we do in the ‘developed’ world – and yet that goal is implicit in the logic of the global economy.

We also need to oppose – with words and deeds – the forces of consumerism in our own communities. The global consumer culture is not only the engine of climate change, species die-off, ocean dead zones, and many other assaults on the biosphere, it ultimately fails to meet real human needs.

The price of the consumer culture is not measured in the cheap commodities that fill our homes and then, all too soon, the nearest landfill.  Its real cost is measured in eating disorders, an epidemic of depression, heightened social conflict, and rising rates of addiction – not just to opioids, but to ‘shopping’, video games, and the internet.

It’s time to envision – and take steps to create – an economy that doesn’t destroy people and the planet just to satisfy the growth imperatives of global capital.

REFEENCES:

[1] EPA Report on the Environment, Municipal Solid Waste, https://cfpub.epa.gov/roe/indicator_pdf.cfm?i=53; Center for Sustainable Systems, “Municipal Solid Waste Factsheet,” http://css.snre.umich.edu/factsheets/municipal-solid-waste-factsheet

[2] National Public Radio, “The Continent that Contributes the Most to E-Waste is…”, January 26, 2017. http://www.npr.org/sections/goatsandsoda/2017/01/26/511612133/the-continent-that-contributes-the-most-to-e-waste-is

[3] “Irreparable Damage”, Washington Times, Jan 9, 2007. http://www.washingtontimes.com/news/2007/jan/9/20070109-121637-4917r/

[4] Morris, Natalie, “Fewer shoe repair shops mean business for those remaining”, Wall Street Journal, March 5, 2012. http://www.sj-r.com/x1644228326/; “Shoe Repair in the US: Market Research Report”, IBIS World, Apr 2017, https://www.ibisworld.com/industry-trends/market-research-reports/other-services-except-public-administration/repair-maintenance/shoe-repair.html

[5] Ewen, Stuart, Captains of Consciousness: Advertising and the Social Roots of the Consumer Culture (New York: McGraw-Hill, 1976).

[6] London, Bernard, 1932, “Ending the Depression Through Planned Obsolescence”. https://upload.wikimedia.org/wikipedia/commons/2/27/London_(1932)_Ending_the_depression_through_planned_obsolescence.pdf

[7] Ibid.

[8]  Pyramids of Waste: The Light Bulb Conspiracy, 2010, a documentary film by Cosima Dannoritzer. Viewed at FilmsforAction.org. http://www.filmsforaction.org/watch/pyramids-of-waste-2010/

[9] Seinfeld, “The Seven”, episode 13, season seven. Aired February 1, 1996.

[10] Walton, Andy, “Life Expectancy of a Smartphone”, Houston Chronicle, http://smallbusiness.chron.com/life-expectancy-smartphone-62979.html

[11] ibid.

[12] Beres, Damon, and Andy Campbell, “Apple is Fighting a Secret War to Keep You from Repairing Your Phone”, Huffington Post, June 9, 2016. http://www.huffingtonpost.com/entry/apple-right-to-repair_us_5755a6b4e4b0ed593f14fdea

[13] Solon, Olivia, “A Right to Repair: Why Nebraska Farmers are Taking on John Deere and Apple”, The Guardian, March 6, 2017, https://www.theguardian.com/environment/2017/mar/06/nebraska-farmers-right-to-repair-john-deere-apple. Beres, Damon, “Big Tech Squashes New York’s ‘Right to Repair’ Bill”, Huffington Post, June 17, 2016. http://www.huffingtonpost.com/entry/apple-right-to-repair_us_5755a6b4e4b0ed593f14fdea

[14] https://repaircafe.org/en/about/

See also:
Ea O Ka Aina: EU Stand Against Crapification 7/6/17
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The compost pile that changed NYC

SUBHEAD: We can’t forget that we can also make big change ourselves by starting small and local.

By Colin Beavan on 8 April 2017 for Yes Magazine -
(http://www.yesmagazine.org/people-power/It%20Started%20With%20One%20Brave%20Compost%20Pile%2C%20An%20Entire%20City%20Was%20Inspired%20to%20Change-20170415)


Image above: Compost piles like Kate Zadir’s popped up in other communities all around New York City. Photo by Cribb Visuals. From original article.

One thing that has bothered me a lot since the election is the idea in the air that we cannot change things while the current administration is in office. There is a pernicious idea that the government is so strong that nothing can be fixed or changed without first fixing or changing it.

Of course, we must work to change the government, but we must also not lose sight of the fact that we can change things in many ways—at the community, city, and state levels—and that each of us remains capable of making the world a better place, even as the presidential administration works against us.

To remind ourselves of this fact, I wanted to retell a story from my book How To Be Alive: A Guide To The Kind Of Happiness That Helps The World. It is the story of my friend Kate Zidar who, in the early 2000s, was one of many New York City residents who refused to wait for a change of government in order to get what they wanted for their communities—in this instance, a composting program to manage food waste.

Instead of waiting for a change in government policy, Kate started her own community compost pile in a corner of a city park. Compost piles like hers popped up in other communities all around the city. In 2013, seeing the benefits of these compost piles, Mayor Michael Bloomberg’s government finally announced that it would move toward a citywide curbside compost program.

Here is what Kate says about her story:
Back in the early 2000s, I was volunteering in a community garden in Williamsburg, in Brooklyn’s McCarren Park, and my focus became soil toxicity. There was a lot of dioxin and lead in the soil because of fallout over the years from a nearby incinerator. I wanted to replace the top layer of soil so we could grow food safely. 

Also, trucks carrying food waste and other trash in the solid waste management system screwed up the air quality in the area. So it made sense to both create good topsoil and divert food scraps from the waste stream by starting a community compost pile. 

In McCarren Park, there was a part of a dog run that was not used, so I “annexed” it. I wrote a letter to the parks commissioner including a map showing the location of my new compost pile—I also sent a flower bulb, hoping that would get his attention—and asked for permission. He never wrote back, but I kept a copy of my letter and I told anyone who tried to interfere that the parks commissioner knew about the compost pile. 

In addition, I used really heavy 55 gallon plastic drums to house the compost system. They could not be moved easily. My idea was to make it so the work involved in shutting the compost system down would be greater than whatever problem park workers seemed to feel it caused. 

At first it was just me hauling my kitchen scraps to the barrels. But passing foot traffic soon attracted random people dropping off their food scraps, too. Before long, a woman named Jo Micek started to help. She was a community organizer, and she knew how to raise funds. Pretty quickly, the compost pile was being run by a “dirty dozen.” (Get it?) 

Not long after that, there were more than 100 families dropping off their food scraps every week, and the compost project turned into a collective, not just run by me. Meanwhile, the compost went back into the community garden, home gardeners took it home, and eventually even the park workers began to use it around the park. 

Why didn’t we begin by going to the city government and asking them to start a compost pile for us?
Everyone who works in community gardens knows that the gardens start essentially by squatting on an abandoned, unused piece of land. You don’t start by working with the government—but by working with your community for improvements everyone wants. When you try to work with the city agencies, they stonewall the idea because they have a whole range of missions and obligations to consider. But you have only one: your garden or compost pile. 

I didn’t want to use my energy dealing with the bureaucracy. I wanted to compost. Plus, I knew the project would actually represent a community improvement. I didn’t want to ask for permission. I could always later ask for forgiveness. Ultimately, there was no way the parks department could stop it because it became so popular with the local community. 

This is one way to bring about broader city or social change. You don’t ask the government to do it. Instead, you gather with other citizens and you demonstrate to the government that it is needed, is wanted, and works. That is why New York is adopting curbside composting now. Because so many communities like ours demonstrated that composting is needed, is wanted, and works. 

Meanwhile, the personal benefits to me were the people I met and the friends I made. Also, I figured it out on my own. I didn’t know what I was doing, and I started it and saw it through. I developed my own system of doing something. Once you do that in one area of your life, then you can do it in all areas. It made me less uncomfortable with not knowing how to start.
Here is the moral of this story for me: We can, through our own lifestyles and our participation in communities and local and state governments, still initiate positive change. We don’t have to settle only for resisting negative change.


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Forging Permaculture Hand Tools

SOURCE: Katherine Muzik PHD (kmuzik@gmail.com)
UBHEAD: Tim Wickstrom is making garden hand tools in Alberta with recycled material.

By Rob Avis on 18 January 2017 for Verge Permaculture - (http://permaculturenews.org/2017/01/18/tim-wickstrom-forging-permaculture-hand-tools-part-1-2/)


Image above: A trowel forged by Tim Wickstrom should last you a lifetime. From (http://reforgedironworks.com/2017/01/06/craftsmanship-materials-and-waste/).

Tim Wickstrom is a former Verge grad who has started his own forge business to make permaculture and garden hand tools (Check out his Alumni Profile here). Here is the final piece of his three-part guest blog series.

PART I: Craftmanship • Materials • Waste

My name is Tim Wickstrom and I’m a blacksmith in southern Alberta. My focus is forging permaculture and garden hand tools for others who love to work with their hands. I love to be out in my garden and young food forest working with hand tools.

My partner Lorinda enthusiastically agrees to test my creations and if you were to visit our home during the growing season, you’d very likely find us working away in our yard. Last October, I founded Reforged Ironworks with the intent of sharing with others the tools I create and why I make them the way I do.

The Forge

The magic of fire and hammer is truly transformative and I am marvelled by it every day that I work at the forge. An abandoned railroad spike is reborn as a hori hori and a truck’s leaf spring becomes a heavy duty trowel. This marvellous process has been around for millennia and it still appeals to many.

My particular process, like many things in permaculture, goes back to traditional techniques.

Modern blacksmiths often use forges fueled by propane, metallurgical coal, or coke. All of these are non-renewable resources. I want to use something that is sustainable in the long term, a fuel source that can be replenished and managed over many generations, and so I use charcoal. This is the fuel that all blacksmiths used until fossil fuels became widely available.

Since we live in a time of abundant waste (i.e. unused resources) I can make charcoal from leftover construction timber such as untreated spruce. There’s no shortage of this material, it can be found in my neighbourhood, diverting waste from the landfill to create tools that will last for years to come.

The Steel
Image above: Scrap steel in the form of railroad tie nails, coil springs and vehicle leaf springs used for forging habd tools. From original article.

Here again, because we live in a world with large amounts of waste, I can source automotive suspension steel, like leaf and coil springs, railroad spikes, spring harrows, plow discs and all sorts of scrap metal for free.

Some of this metal is especially good for tools because it’s high carbon steel. This type of steel can be hardened, giving my tools lots of toughness and durability. There’s a bit of experimentation that goes into each piece of steel that I use since it’s all reclaimed; I never know quite exactly what the scrap metal is like until I play around with it a bit.

It does take me extra time to find, sort, and experiment with the metal I find, but it’s worth the effort because I can upcycle it and divert it from the waste stream. It’s important to me to minimize the ecological footprint of myself and my business.

The Result

It’s rare these days, but there are moments when I see a truly amazing piece of workmanship and it speaks directly to my heart. A perfect example of this was an artisan broom-making shop in Crawford Bay, BC that I visited last summer. I was confident that the broom I purchased would last for many years; that confidence is the foundation of craftsmanship.

Built upon that are the aesthetic details and the method of construction that combine to create something that is both memorable and wonderful to use.

I get a very positive vibe when I know exactly where my money’s going and who it’s supporting. My visit to Crawford Bay cemented in my mind the kind of experience I want my customers to have: Confidence in the quality of my tools, appreciation for their aesthetics, and an understanding that they’re directly supporting a sustainable business.

We often forget that beauty is a form of yield. For the sake of efficiency, it’s often first to be sacrificed. I choose to create within the limitations of the mediums of reclaimed steel, charcoal forge and hammer and anvil, creating tools of lasting beauty and function, informed by a tradition of hand tools that’s been with us for as long as we can recall.


Part II: The Tradition of Hand Tools

By Rob Avis on 7 February 2017 for Verge Permaculture -

(http://permaculturenews.org/2017/02/13/tim-wickstrom-forging-permaculture-hand-tools-part-2/)


Image above: Tines for hand tools made from steel coil springs. From original article.

The use of hand tools is one of the definitive characteristics of our species. We even go so far as to define our preindustrial past by ages of hand tool technology: stone, bronze, and iron. Each age reflects our growth in the ability to understand and manipulate the environment around us.

We’ve reached a point now where a single person operating a machine can do the work of hundreds in a matter of hours. This increased leverage in our ability to alter our physical surroundings forms the foundation of modern civilization.

That power comes with a cost, however, most commonly found in the byproducts of the industrial modes of production. In certain contexts, then, perhaps we can explore older methods of production that are no less sophisticated. Intensive organic gardening and food forestry, as examples, can be accomplished quite readily with just hand tools. I’d like to share an excellent video by Geoff Lawton that speaks to this:

Why Hand Tools? Geoff Lawton’s Take

Video above: Geoff Laughton explains the virtue of a durable simple hand tool. From (https://youtu.be/hqPb_8PKNig).

Transcript:
“Hand tools. Appropriate little hand tools. They’re so accurate and so selective that you don’t make many mistakes. You cut it in your right hand and hold it in your left hand. It’s not like a motorized tool that’s so easy to make mistakes and as soon as you’ve been using a motorized tool for an hour or two your nervous system’s all shaky, your judgment starts getting very inaccurate. You start making mistakes, you start killing trees, you start chopping the wrong things, you start cutting the wrong things.


This is a Japanese rice knife with a serrated edge. There’s also a Japanese knife called a kama which is very traditional. All over the world there are little tiny hooks and little tiny knives that people use to selectively weed diverse systems, to work in amongst intricately placed plants. And a lot of the hand tools are actually dying out and becoming extinct as everyone modernizes.


So, it’s very important for us to realize how energy efficient they are. The energy order on a knife like that, the pollution of manufacture spread over the lifetime of the product is incredibly good. It’s way in front of anything that’s a motorized tool.


And people look at this and “oh, you do a lot of work and it’s very physical.” Yeah, but the work we’re doing is aimed towards developing a sustainable and permanent system. It doesn’t matter that you do a little bit of extra work to establish permanence because it goes on forever.

That little bit of work extends over the lifetime of the system so it’s a similar order to using a motorized machine or an accurate little hand tool. A little bit of extra work, a little bit of extra design, you end up with permanence that goes on forever.”
Hand tools have the advantage of vastly greater accuracy, reflecting the skill of the user, as well as manufacturing efficiency when considering that the energy going into the tool is spread over its lifetime. This is another reason why I source reclaimed materials and create tools that can last generations.

For me, there are the aesthetic qualities hand tools possess that power tools never will: they’re quiet to use and non-jarring on our nervous systems. They have elegance to their shape and design, and can be made to appeal to our sense of beauty. It’s wonderful to work quietly and efficiently in the garden, to hear the birds, the insects, and all the animals that call that garden home.



PART III: My Three Favorite Garden Hand Tools

By Rob Avis on 7 February 2017 for Verge Permaculture

(https://vergepermaculture.ca/2017/02/07/wickstrom-forging-permaculture-hand-tools-3/


I’d like to share with you my three favorite tools to use in the garden. These tools are used the most often and get the most work done in the shortest time. Generally I prefer hand tools to powered ones because they’re quiet, they don’t emit noxious fumes, and I can work up a sweat.

1. The Broadfork


Image above: Tines from coil springs welded to rugged steel broadfork. To break soil jump on and off crossbar and pull back and forth on two handles. From original article .

This is the workhorse of our garden. It loosens and aerates the soil without inverting or mixing the soil layers, minimizing disturbance to the soil and the microorganisms within. One pass in spring and another in fall is all we need to maintain our garden’s health. It also makes an excellent tool for digging up potatoes and other root vegetables when the soil is tight.

Clay also has a tendency to form into hardpan, an impermeable layer of subsoil that traps water above it, causing stress to plants. A broadfork can be used (and indeed is designed) to break up this layer of hardpan as the pointed tines are between 8 to 11 inches long. They reach into the subsoil to pierce the hardened layer and break it apart.

The broadforks I forge are about two feet wide, with five tines made from automotive coil springs. I forge the tines to a slightly curved shape to aid in penetrating the soil and to break it up more readily. I prefer to use wooden ash handles because they’re lighter than metal, they’re easy to replace should they ever break, and I find the feel of wooden handles is superior to metal in how it fits the hand and how it bends during use.

2. The Hoe

Image above: Heavy duty hoe head from plate steel and forged steel bar. From original article.

This humble tool is an important addition to weed management in an organic garden. Mulch, chop and drop, intensive planting, and hoeing are all used together to control weed growth. There are many hoe designs available, but my favourite is the D-hoe with a goose-style neck.

It’s quick, accurate, and can handle weed sprouts as easily as more mature plants. The sharp corners are great for cultivating, forming furrows for seeds while the neck keeps the handle clear, giving it a good working angle.

I forge the hoe’s neck from reclaimed steel found in scrap yards. I like to add a decorative touch where the blade meets the neck. The blade itself is also reclaimed sheet steel, cut to shape and sharpened.

The handles are Canadian ash: lightweight and durable. They are either made with a ferrule to insert the neck into, or a collar in which the handle is securely riveted. Either style makes repairs easy.

3. The Hori Hori


Image above: Hori hori hand tools for sale manufactured by Tim Wilkenson's Reforging Ironworks. From original article.

The multipurpose sidearm of the gardener: Small, lightweight, yet robust enough to handle heavy clay soils. It’s designed to dig holes for bulbs, bed out plants, and remove some of the more stubborn interlopers in the garden (thistle, I’m looking at you). It can cut roots and woody stems up to the thickness of a finger.

The original purpose of the hori hori was to manage satoyama, the edge where mountain forest met cultivated field in 13th century Japan. The design hasn’t changed much since, which speaks to its effectiveness and proven design. Applied to our context here in Alberta, it’s an ideal tool for food forests and gardens.

The hori hori I make currently are forged from abandoned railroad spikes and are water-quenched to achieve about the same hardness as an axe. That means it can hold an edge fairly well, and since it’s also used to dig, it won’t break when leverage is applied to the handle. I forge the blades to achieve a balance between robustness and weight.

The handles are made from reclaimed wood, most commonly old hockey sticks which are light and durable. I rivet the handles to the full tang blade with copper rivets, once again making replacement of the handles easy if it’s ever needed.

With these three tools, I can accomplish the majority of my work in the garden. While shovels and garden forks certainly come in handy, they didn’t quite make my top three. Every tool I make is informed by traditional design and from the experiences of my clients and myself.

~ For more information about what Tim’s doing, check out his website at reforgedironworks.com or instagram.com/reforgedironworks.

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Making tools with a forge

SUBHEAD: Blacksmithing is one of the dozens of professions that were widespread in all traditional cultures.

By Brian Kaller on 16 August 2016 for Leaving Mayberry -
(http://restoringmayberry.blogspot.com/2016/08/making-your-own-tools.html)


Image above: A forge for blacksmithing metal.From original article.

Blacksmiths often held a special status among traditional people; when your plow bent or your scythe broke, he kept your family alive. They must have seemed like alchemists, turning bare stones into gleaming jewellery or fierce weapons; here in Ireland even their homes looked different, with a bizarre keyhole-shaped door that announced the resident’s craft as clearly as any barber pole or butcher sign.

Try blacksmithing for a short time and you respect them yourself. Metals like copper or tin can be hammered into shape cold, but iron needs more than a thousand degrees of heat to become malleable; for those temperatures you need charcoal, a forge and a continual blast of air, along with the skill to know what you’re doing.

I do not claim to have such skill, but under the guidance of two excellent tutors, I was able to take a rusty piece of discarded machinery and, by heating and pounding it many times over two days, flatten and shape it into a useable machete. The course was one of many offered by the Irish organization CELT, and hosted at the Slieve Aughty Centre in County Galway.

We started by creating a forge – in this case, out of clay, sand and horse manure, mixed and shaped like a sand castle. We cut and stapled plastic bags and wooden planks to form bellows, and used pipes to connect them to the clay structure, and soon we had something primitive yet useable.

We used metal ones later to save time, but it’s a great pleasure to know that you can make a working forge from almost nothing.

We quickly learned that forging metal means a lot of time standing over the fire, holding the metal – with tongs, obviously – in just the right place to get the proper amount of heat, and withdrawing it at just the right moment.

Too much heat and it sparks and disintegrates, too little and no amount of hammering can budge it. Movie blacksmiths look like bodybuilders slamming white-hot metal with sledgehammers; the reality involves a lot more frantic and often delicate tapping, as the smith has only a few seconds to make the right changes before it cools again.

In my case, I hammered the old machine part into a straight bar, flattened it into a knife-shape over the next two days, and a bit of cutting and polishing did the rest.

I cut a handle from a hazel branch, heated the “handle end” of the metal until it was yellow-hot, and seared the hot metal into the handle, with a gust of steam and a few bursts of flame from the wood.


Image above: The blade I forged with a wooden handle. From original article.

The result looks a bit crude, like a weapon an orc might use in the Hobbit, but it’s turned out to be a perfectly serviceable tool.

Blacksmithing is one of the dozens of professions that were widespread in all traditional cultures, when most villages had families of craftsmen – coopers, wrights, tanners and thatchers – that now survive only as surnames.

Children apprenticed from an early age, learned a skill for several years, and might have entered the working world as masters at an age when teens today are spending their prime years bored and self-destructive.

A world of craftsmen creates an economy alien to modern Westerners; instead of cheap belongings meant to be thrown away quickly, goods had to be made durable, to be fixed, recast, re-forged or re-sewn over and over, with no mountains of rubbish.

Such an economy entirely lacked the anonymous transactions that we think we depend on; writers from a century or two ago described recognizing particular barrels, nails or saddles as we would recognize someone’s handwriting, and the craftsman’s reputation hung on the quality of their work.

Of course, few people would be able to make a living as a smith anymore, but it’s a skill we should retain; plastic can only be recycled a few times, but iron can be recycled indefinitely.

When the world is no longer able to mass-produce new materials at its former rate, when there is no new plastic and fewer forests, we will have billions of tons of landfill waste.

Movies like WALL-E posit garbage covering the Earth, but in real life much of that garbage would not only be reusable, but precious, and today’s landfills could be tomorrow’s mines.

For more information about CELT’s Weekend in the Hills, check them out here. If you are in County Galway, do check out the Slieve Aughty Centre near Loughrea.

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Tourist Island of Trash

SOURCE: Katherine Muzik PHD (kmuzik@gmail.com)
SUBHEAD: France's Corsica has gone from being the 'isle of beauty' to being the 'isle of trash'

By Pierre Lafranchi on 11 October 2105 for Terra Daily -
(http://www.terradaily.com/reports/Frances_Corsica_from_isle_of_beauty_to_isle_of_trash_999.html)


Image above: The landfill of Vico, on the French Mediterranean island of Corsica, France's lush and feisty Mediterranean "isle of beauty", has another nickname, the "scented isle". From (http://www.deccanchronicle.com/151011/world-europe/article/frances-corsica-isle-beauty-isle-trash).

Corsica, France's lush and feisty Mediterranean "isle of beauty", as it's known, has another nickname, the "scented isle" for its dense fragrant shrubs.

Of late the moniker has taken on a tongue-in-cheek twist as the island faced a massive garbage problem.

The crisis jettisoned Corsica back into French news headlines thanks to overflowing landfills and malodorous garbage left by the hordes of tourists who flock to the Mediterranean jewel known for its vast sandy beaches, mountain vistas and rare animal and plant life.

Residents and tourists produce more than 300,000 tonnes of trash annually on Corsica, or the equivalent of more than 100,000 cars, and landfills are reaching full capacity.

Rampant construction on the island also contributes vast amounts of waste.

The rubbish problem got so bad that a union shut the landfills and halted rubbish collections before finally agreeing to return to work late last month -- for the time being.

A burgeoning population contributes to the growing garbage piles, with around 4,000 new residents arriving each year -- adding to the 310,000 inhabitants already on the island.

It is not uncommon to see garbage bags in coastal nature reserves, and piled up after mobile homes come through.

The crisis of overflowing bins is largely blamed on foreign holidaymakers.

During peak tourist season, the population increases by tenfold, and around 20 percent of those tourists are foreigners.

Several hikers have been fined for leaving trash on trails, particularly on the popular GR20 -- which crosses Corsica diagonally north to south and is considered one of Europe's most beautiful mountain trails -- frequented by thousands of tourists every year, according to Michel Acquaviva, head of parks on the island.

Acquaviva said that some of the foreign tourists may feel "intoxicated by a smell of freedom" on the island and dispose of their waste without thinking of the consequences.

But that "smell of freedom" is quickly going off.

Some landfills, already saturated with rubbish from surrounding neighbourhoods, are refusing to take waste from other regions. France's Environment Minister Segolene Royal has called for action and urged for more regulation, calling the waste problem "particularly critical on Corsica".

- Fed up with the waste -

Only around 20 percent of Corsica's waste is recycled, which is close to the national average but well below countries like Germany (47 percent) and Slovenia (55 percent), according to EU's statistics agency Eurostat.

This is primarily because waste is not sorted -- so people end up tossing everything into the same bin, and it ends up in the same place.

Some towns are taking the issue into their own hands.

The small village of Girolata, on the western coast of Corsica, recycles around 80 percent of its rubbish, thanks to an efficient sorting system.

The town's programme works so well that it attracts official delegations, inspired by its waste management model.

According to Mayor Francois Alfonsi, Girolata has invested 350,000 euros (HK397,000) in waste sorting and treatment.

Royal said Corsica could dramatically reduce its waste by sorting at the source. That means sorting out plastics, glass and paper before waste goes to the landfill.

Royal also supported a waste treatment facility for Corsica, a move that some environmentalists have criticised.

"How can Ms. Royal denounce mechanical biological treatment in Paris and defend it here?" said the spokeswoman of the collective against incineration in Corsica, Marie-Dominique Loye.

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Reviving the Lost Art of Fixing

SUBHEAD: In Vienna, the long-term unemployed retrain to be "mechatronic engineers" and repair consumer devices.

By Ute Scheub on 13 June 2015 for Future Perfect  -
(http://www.goethe.de/ins/cz/prj/fup/en13116331.htm)


Image above: Man makes soldering repair to broken electronic consumer device. From original article.

At the Repair and Service Center in Vienna, the long-term unemployed retrain to be "mechatronic engineers" and repair electronic devices. Founder Sepp Eisenriegler tirelessly initiates networks, projects, and cafés—all dedicated to the art of fixing things.

Dishwasher baskets. Washing machine drums. Shock absorbers. Electric motors. Fan belts. Radio tubes. Computer hard drives. Screws, screws, screws.

 In the basement of the Repair and Service Center (RUSZ) in Vienna’s district of Penzing, there are about 25,000 spare parts on more than 7,000 square feet, neatly sorted. The approximately 40 employees at RUSZ keep reaching for the shelves as they fix broken electronics.

In the middle of this technical jumble, Sepp Eisenriegler stands like a rock. He is 61 years old, wearing athletic clothing, confident. In a friendly, reverberating voice he explains that the operation he founded in 1998 "fixes machines as well as people." Formerly long-term unemployed or disabled workers train to become sought-after "mechatronic engineers."

Radio mechanic Horst Skribek, for instance, "built in 1956," who restores old-fashioned radios. Or electrician Mahmut Hassan from Iraq, who fixes washing machines. At a customer’s request, the mostly male employees also perform repairs directly on site.

The atmosphere in the shop is friendly, the boss is popular, and they are currently drawing up their first Common Good Balance Sheet as proposed by the movement Economy for the Common Good.

The remarkable record of RUSZ after 16 years: it placed 300 long-term unemployed workers in permanent work contracts, avoided about 15,000 tons of problematic waste as well as a huge amount of greenhouse gases, and heralded a renaissance of fixing things, at least in a section of society.

Eisenriegler, former teacher and environmental consultant, had always sensed an "urge to save the world," but it took an epiphany to get him to start the RUSZ. One day when his dishwasher quit on him, a grumpy service technician recommended that he buy a new one, and then charged him a 90 euro ($124) service fee just for coming out. It was just a clogged-up hose.

The social entrepreneur says that this was when he decided to come up with his own response—the RUSZ—to counter those service departments that are ultimately nothing but an "extension of the sales departments."

He observed that nowadays, low-cost producers deliver poor-quality products on purpose. They can be neither opened nor repaired, have to be replaced by a new purchase after a short amount of time, and end up poisoning humans and the environment in desolate junkyards around the globe. Retailers told him that they "immediately throw out" up to a third of all Chinese product deliveries because they are deficient.

Cell phones and laptops cannot be repaired because their batteries are encapsulated. Nor can someone fix modern cooling units. Ink cartridges that are almost full indicate that they are "empty."

The arte-film The Light Bulb Conspiracy by Cosima Dannoritzer documents such deliberate production flaws. It impressed Eisenriegler a lot when he saw it in 2011. Since then, this belligerent critic of "throw-away capitalism" made sure that planned obsolescence—this is the technical term for pre-determined breaking points—became a huge topic in the Austrian media.

The magazine LebensArt, a publication of Eisenriegler’s former environmental consulting NGO, reported that diverse Austrian media outlets ran about 250 articles on this topic in the past few years. The newspaper Kronenzeitung, for instance, reported that planned obsolescence causes every single Austrian a loss of 1,700 euros ($2,340) each year. People were outraged.

Cheap washing machines often "have a screw loose" as well. "Designed to break," Eisenriegler calls it. The shock absorbers are the pre-determined breaking points. They are built so weakly that the ball bearings and the drum bearing break.

A new washing unit, consisting of bearing, tub, and drum, however, costs the same as a brand-new "disposable washer." Buying cheap does not pay off, the social entrepreneur advises, because "for each 100 euros you spend more, your washer will last a year longer."

When RUSZ was launched in 1998, an appliance had an average product life of 12 years; today’s standard appliances hardly last longer than 6 years. The center therefore also offers "washing machine tuning": by changing the technical settings, the old appliance works longer using less power and water.

Eisenriegler vehemently advises against buying a new appliance for reasons of energy efficiency, since the purchase would take about 20 years to pay off.

According to Eisenriegler, the value of scrappage programs, which pay a government premium to citizens who get rid of old appliances, is clear in the name: s"crap"page.

Another RUSZ success story was the Wundertüte (Goodie Bag) of 2005 and 2006: the world’s most successful cell phone collection program, which the center initiated together with radio station Ö3 and the Catholic charity confederation Caritas. However, Caritas decided to discontinue the cooperation and carry on the project alone.

Eisenriegler was deeply disappointed. In general, he constantly finds himself struggling to continue his projects. When the employment agency in Vienna stopped sending him long-term unemployed candidates for labor market integration in 2007, Eisenriegler was forced to privatize RUSZ and transform it into an association for the promotion of social entrepreneurship.

Yet all this clearly can’t stop Eisenriegler, who has won several environmental awards. He is constantly tinkering with new projects: for example, the RepairNetwork that serves all of Vienna with its more than 50 small business members, or the Viennese Dismantling and Recycling Center D.R.Z., with 60 employees and a TrashDesignPlant.

For four years, Sepp Eisenriegler served as president of RREUSE, the European umbrella for social enterprises in reuse, repair, and recycling, and he successfully lobbied in Brussels to include promotion of repair networks in the new EU Directive on Waste.

His latest idea is called screw14—RepCafé: Since November 2013, laypeople can come to the RUSZ every Thursday afternoon to fix their own broken appliances with the help of specialists. "Repair cafés are a breeding ground for critiquing capitalism and for quality of life," Eisenriegler believes.

Tools and coffee are free. You won't find any single-serve coffee capsules, though—they generate about 3 grams of trash per cup.

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The Anarchist's Shoes

SUBHEAD: Years of reading ads convinced me that a highly "technical" shoes enhanced feet. As if!

By Amanda Kovattana on 12 February 2014 for Amanda Kovattana Blog -
(http://amandakovattana.blogspot.com/2014/02/the-anarchists-shoes.html)


Image above: Detail of painting "Cobbler Studying a Doll's Shoe" by Norman Rockwell, 1921. From (http://ayay.co.uk/background/paintings/norman_rockwell/cobbler-studying-dolls-shoe/).

At Thanksgiving dinner the Anarchist was admiring the black ankle boot moccasins I was wearing with my sarong pants and I announced that I was going to make my own shoes.

"I'd be very interested in how that goes", said the Anarchist who was a self designated non-conformist who had, during a discussion at one of our parties, announced that she was an anarchist. A term that fits well for this story.

Her desire to join me in my shoe odyssey further intrigued me and she told me of her feet woes. How the combination of bunions and toes now curling up over her feet made it increasingly difficult to find footwear to fit. She didn't have good feet to begin with, she explained, but years of forcing them into heels and of being on her feet all day while working at a Hallmark store did them in.

Only then did I realize that she always wore Ugg boots even in summer and now she could only wear the right boot of two pairs of Uggs. I showed her the work of a shoemaker who had blogged about making a pair of shoes for a woman with severely swollen feet.

See (http://simpleshoemaking.wordpress.com/2013/08/26/how-to-make-simple-stitch-down-shoes-for-people-with-swollen-feet/).

This gave us the confidence that we too could solve our shoe problems in the same manner.

I had my own reasons for wanting to make my own shoes. My daily dog walking was wearing out my shoes faster than at any time in my life. The soles of walking shoes did not seem to wear as well as they once did. I was shoe goo-ing them repeatedly (glue used to fix holes in tennis shoes). Then I read an article brought to my attention by a newsfeed I subscribe to called the Village Green Network which usually concerned itself with food and recipes for making something simple like laundry soap.

The article was by a woman who had decided to make her own shoes because most shoes caused her pain on the long hikes she liked to take. She referenced another article that described how shoes compromise the natural gait of the foot. I was shocked and then not at all surprised. So often did a single assumption lead to misinformation never investigated.

Shoes were still built on the same too narrow lasts as they had been for centuries under the belief that feet had to be supported. They were also too heavy, inflexible, reduced surface area of the foot and since they were drawn with a curve rather than on a straight axis forced the foot to an incorrect orientation.

The referenced article (http://www.unshod.org/pfbc/pfrossi2.htm) described how the footbed of shoes have an indentation under the ball of the foot designed into the shoe to make the foot look smaller. Sure enough I checked all my shoes and every one of them had that indentation built into the footbed. This slight dip compromised the natural arch of the foot especially when other areas of the footbed were compressed with wear.

This combination put three important bones out of alignment. The reason arch support was needed turned out to be to raise these bones back into place. The turned up toes of shoes, the lack of flexibility in the sole, the stiffness of the uppers all interfered with the natural ability of the foot to grasp surface area, expand and move the body.

The article also pointed out that you can tell by the wear pattern of your shoes that the natural gait was being compromised. I looked on the bottom of my shoes and sure enough all of them were worn down on the outside edge of the heels and on a spot in the middle of the ball of the foot as described. I thought it was because of my bowed legs causing my shoes not to land properly.

I read the article several times before I could believe that shoes were not helping at all (apart from protecting the foot from pointed rocks) and were more likely reducing the foots flexibility and strength. Feet would be better off in a pair of moccasins the article concluded.

Earlier in the year I had been similarly astounded by an article claiming that the brassiere seriously compromised the ability of the breasts to get rid of toxins and did not in fact keep a woman's breasts from sagging over time, but had compromised the muscle structure of the breasts to take care of this themselves. Given my personal minimalist topography I could happily give up the brassiere, but I could not do without shoes.

Thus I embarked on my shoemaking education and found a book at the library with full color pictures that convinced me of what wonderfully colorful and interesting footwear I could make for myself. This led me to find the author online where I found the aforementioned blog about making shoes for swollen feet. She had also posted an article from the New York Times (http://nymag.com/health/features/46213/) a bit more readable and less technical that said the same thing—shoes were bad for you.

I consulted my chiropractor and he told me about the body's remarkable ability to adapt. How bones that had been badly set would over time correct themselves. So feet would also adapt to shoes. And he himself would not be giving up the support of his hiking boots no matter what the claims of the new minimalist trends in sport shoes.

One could simply train oneself to walk properly he claimed. I in turn told him how I had learned from a masseuse that the Asian squat was not a body position that one could learn in adulthood. That this act of folding the body up and squatting on the heels actually changed the angle of the hip sockets so only those who had practiced this sitting position from childhood could accomplish it so easily in adulthood.

So wouldn't a person who had spent most of their time walking barefoot be similarly suited to unconstructed shoes? He agreed that I had made a convincing hypotheses for my new shoe wearing preferences. And given his theory of adaptation it is likely that others who adopted a barefoot lifestyle could over time strengthen their feet too. My karate class was, after all, filled with newcomers learning to exert their body for peak fighting performance while barefoot.

Shoemaking
I had been a seamstress all my life and I once made jester slippers from wool felting, but I hadn't a clue how to choose leather or what a millimeter in thickness felt like. In order to become acquainted with the medium I ordered a three pound box of leather scraps from e-bay for $30. And what an assortment of cowhide did I receive.

I picked over the fake crocodile in unnatural colors, the fake pink ostrich that came in lime green, red and turquoise, some shiny red metallic gold and copper pieces, floral embossed ones and weird ones that looked like flocked wall paper. I was both repulsed and intrigued and spent an afternoon art date putting together combinations of blue crocodile and lime green ostrich. Most of the scraps came in pieces too small to use so I would have to make a crazy quilt shoe.

I felt more compelled to meet the needs of my Anarchist friend for her need was greater and I still had shoes a plenty. Plus the caveat of making shoes for a "customer" excited me with visions of a new shoe making add-on to my services. Who could resist custom made shoes? Another of my clients also had problems with bunions gradually eliminating all but men's running shoes for her. She said she could have had an operation to correct her feet, but there was no way she would have been able to be off her feet for six weeks.

My Anarchist friend had said the same thing. It occurred to me that the abuse of women's feet in heels and the failure to correct them surgically was probably quite common among women, especially those that took care of others as women so often did.

I watched a video on my shoemakers blog on how to make a last upon which to build a shoe and went to visit the Anarchist with duct tape and homemade play dough in hand. The play dough was for filling the spaces over the toes to make a shoe like shape.

I had her slip on a pair of knee high nylons I had brought with me and she stood on the cardboard soles I had made with a little wall of duct tape around the perimeter. I went to town ripping off pieces of duct tape and wrapping them across her feet attaching them to the side wall.


Image above: Two attempts using duct-tape to create shoe shape to derive leather patterns. From original article.

After I was done I carefully cut the duct tape boots off down the top of the foot. The results looked like a pair of boots left behind by the Tin Man after a thorough beating.

Instead of flattening out my duct tape pieces to make patterns for a last as instructed, I decided to skip that step and just drape the leather over the duct tape forms themselves. I cut up an old black t-shirt to make a prototype. The Anarchist loved the pixie shape I had devised to accommodate the unusual shape of her feet.

My challenge was to make the shoe for the more normal foot look the same as this high profile one. It would not be possible to make them identical, but I could mimic the same shape and hold the foot with a hidden piece inside the shoe.

I had brought my bag of leather scraps so she could choose what kind of leather she wanted her shoes made from. She admired how soft and flexible some of the pieces. As they were to be her first pair, were and chose black which would go with most of her outfits and hats for she was a snappy dresser.

She then showed me the pair of shoes she had had custom made by a professional shoemaker. They hurt her feet she said and cost $500. They were so stiff and ugly they made me angry. There was no flex to the sole at all. Whoever constructed these shoes had decided that her feet were too crippled to be of any use and had made what was essentially the foot part of a wooden leg.

I ordered more leather from e-bay—remnants from upholstered leather sofa making. And I made adjustments to my t-shirt mock up until we were satisfied with the fit. Then I took apart my model and used the pieces as a pattern to cut the shoe parts out of the black leather.


Image above: Two attempts using duct-tape to create shoe shape to derive leather patterns. From original article.

Next I had to learn how to sew leather together with the prescribed synthetic sinew. I bought myself the proper needles, a stitching awl, sinew and some non toxic cement. I could use my sewing machine to make holes in the leather that could then be enlarged by the stitching awl; the hand sewing went much easier once I made the holes large enough.

Hunting down material for the soles would be a challenge since this was a material only available to professional shoe makers in bulk rolls. My shoemaker blogger suggested going to Home Depot to look for rubber floor tiles used in workout rooms and garages; they were made from recycled automobile tires. The pack of 6 tiles I found would be enough for 12 pairs of shoes, but they were the right thickness. I was very pleased that they were a recycled product.

The insoles were also challenging because my customer's feet were of such a shape that no conventional insole from the drug store would work.

So in the end I used some square sheets of rubber I had on hand that came as knee pads inside gardening pants. I covered these thick pieces with scrap upholstery material I had gotten from FabMo a non profit that collected samples discarded by interior design stores. For shoe laces I decided to use gross grain ribbon from the fabric store was in order. These ribbon ties along with the pointed pixie toes made the shoes look magical.


Image above: Two attempts using duct-tape to create shoe shape to derive leather patterns. From original article.

I had the Anarchist try them on. The problematic right foot was a bit loose in the toe. She got her canes out and took a test drive walking fast into her room and back. The pointed soles on one foot would catch a little as she picked up her feet so I took them home and cut and sewed the toes into a rounded shape.

Now they fit better and were easier to walk in. She also commented that they were very comfortable and the soles offered plenty of arch support. That's funny I thought, I didn't build any arch support into the footbed. But the thickness of the insoles afforded enough cushion to feel like it and protected her protruding bones from the hard floor. She was pleased with the that they looked dressy too.

Stepping off the Grid
Such off the grid journeys, I realized, usually started with a revealing piece of information. Shampoo I found out made your hair grease up which led to hair washing every other day when I really didn't need to wash my hair more than once a week if I used baking soda and an apple cider rinse as was done a century ago. Not to mention that some of the ingredients in shampoo were toxic.

When I started reading up on what caused my blood sugar to spike I learned that our food supply was compromised by the misinformation of the medical institution creating a world wide aversion to saturated fat. The processed food industry then capitalized on cheap ingredients some of which the body was unable to digest. But as long as a package said low-fat or vegetarian any frankenfood would sell as a health food.

My interest in electric cars taught me that automobiles could be built much simpler and lighter if it weren't for the demands of long distance travel and the crash test at freeway speeds. Crash test regulations kept other alternatives off the market even if you never intended to drive on the freeway, but at a much slower speed appropriate to neighborhoods.

Housing was also controlled by regulations not necessarily for safety but to keep keeping them large. Too large to afford. I had believed that these first world regulations created a superior society, but I now see that it is more about upholding a standard of living.

One that would continue to feed the profit margins of industrialized products made with machinery so large it required huge amounts of capital so only mega corporations could compete. Not to mention creating a society where shoes, cars and houses had become status items under designer label brands.

These designs were so conventionally limited that there were only minute differences between brands and models creating a sea of choices that really offered no choice at all. Anyone wanting a different concept altogether was out of luck. Likewise anyone with abnormally wide feet or feet already ruined by fashion trends had no shoes at all.

I too had been taken. Years of reading advertisements specifying the technical improvements of shoes in the sports industry had convinced me that a highly "technical" shoe corrected or at least enhanced the performance of feet.

Now I saw that industrially made shoes were coddling feet with padding while undermining their natural ability to function. (Plus the overseas sweatshops with their underpaid labor and toxic work environments to produce these shoes always irked me.)

Others had also realized how the emperor had no clothes given all of the above revelations being passed around and I was aware that a movement was afoot. More and more people were interested in old ways of doing things—cooking from scratch, finding ways to live in tiny homes, getting kids to school in Dutch cargo bicycles, investigating ayervedic medicine, massage, yoga and other ancient techniques of living healthily.

But despite all this re-skilling as it has come to be known, not too many people had taken up shoemaking. In fact leather work as a hobby seemed to have fallen out of favor along with macrame plant hangers. I had found only the one out of print book in my library system.

Even on the internet very little information was being offered. Those who had had taken up shoemaking were mostly moms and grandmothers looking for healthy shoes for children that would allow the foot to develop naturally. Shoes for adults were likely more subject to fashion demands and fitting into conventional work settings.

It was also a skill that pushed beyond most people's ability requiring sharp tools, a bit of strength to push needles through leather and thick rubber and an imaginative design sense plus an ability to visualize three dimensionally. Just the sort of skill set I had been cultivating since childhood.

And the potential for recycling and making unique fashion items would entertain me for some time. What better way to upset the paradigm than to make one's own shoes? A village cobbler could help turn a community away from exclusive designer brands to unique one-of-kind efforts in a locally made product.

It is the Year of the Horse an kick ass time to manifest new ideas. And the horse is the only animal on the horoscope to wear shoes!

May ye all be well shod.

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Cobbled Up Fencing

SUBHEAD: All sorts of things are used to plug holes in fences or to serve as gates to the entrances of fields or barn pens.

By Gene Logsdon on 2 January 2013 for The Contrary Farmer -
(http://thecontraryfarmer.wordpress.com/2013/01/02/cobbled-up-gates-and-fences/)


Image above: The world's largest surfboard fence is in Peahi, Haiku Maui, Hawaii.  From (http://iwanttomakethis.com/2012/01/20-unconventional-fences-beautiful-or.html).

The older (and lazier) I get, the more creative I become at putting up temporary fencing that ends up being permanent. Not so long ago I plugged a gap in a deteriorating pasture fence with a section of ancient spike-toothed harrow (an array of tilling blades on a frame dragged behind a tractor). The harrow is so old I call it Adam. Heaven knows how many acres Adam had leveled after the plow before he was retired to our tree grove. He thought his useful days were over, I’m sure.

But desperate for a way to fix the fence in a hurry, I spied the rusty old soul leaning disconsolately against a hickory tree and knew he was just what the situation required. Now Adam has a whole new second career ahead of him and looks quite jaunty in his new role. In fact so well does his left section hold off the sheep that now his right section has become a fixture in another hole in the fence. Some enterprising soul might want to give this idea serious thought.

There must be thousands of Adams rusting away in farm machinery graveyards far and wide. Start marketing what could be called Forever Fence.

Over the years, I have used all sorts of things to plug holes in fences or to serve as gates to the entrances of fields or barn pens. Wooden shipping pallets make passable “temporary” fences and pens and if you know how to beg pathetically, you can often get pickup loads of them at factories. Out in the weather they last about five years which is forever enough for an old man.

Four of them wired together in a square make very handy impromptu lambing pens. Three of them will do the same against a barn wall. If you have a lot of old baling wire (lengths of which I have also used to thread through rusted out sections of woven wire fence), you can wire a bunch of pallets to each other and set them up in a zigzag fashion to make a fence that doesn’t need posts.

In Wendell Berry’s latest lovely book, A Place In Time, he tells about his fictional character’s old cobbled up pasture fence, “the wire stapled to trees that had grown up in the line, spliced and respliced, weak spots here and there reinforced by cut thorn bushes and even an old set of bedsprings.”

I feel certain that description is not fictional. Lillian Beckwith in her The Hills is Lonely (another book I love) describes crofts in Scotland where thrifty owners used bedsprings for gates in their stonewalled yards or “parks.”

My ugliest fence repair so far is a rolled up length of old woven wire fence about the size and shape of a 55 gallon barrel. I jammed it into a washout on a hillside under a wire fence that was sagging precariously between posts.

Ugly yes, but it not only kept the sheep from squeezing under at that point, but anchored the fence and almost stopped the gully from getting any deeper. And that gives me another idea. I have several old leaky barrels that would work quite well plugging other developing holes in my fences. They would “last as long as they need to,” as we practitioners of the cobbling art like to say.

But I offer as the grand champion cobbled up fence of all time one that I saw along a backcountry road in the next county south of our place. I think I wrote about it before: a sort of feedlot arrangement surrounded almost entirely by junked school buses.

The buses had hay in them and the cows could stick their heads through where the windows used to be and eat.

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Earthship architecture

SUBHEAD: Earthships are a form of adobe architecture invented in the 1970s by architect Michael Reynolds.  

By Raul Ilagi Meijer on 18 February 2012 for the Automatic Earth - 
  (http://theautomaticearth.org/Earth/automatic-earthships.html)


Image above: An earthship designed and built by Michael Reynolds in Taos, New Mexico. From (http://theblondecoyote.com/2011/08/02/life-in-an-earthship/).

Had lunch yesterday (Saturday) in Melbourne with Michael Reynolds, who’s also touring Australia. Michael’s the godfather of the earthship, and a man as interesting as he is intelligent. I plan to write much more on him and his projects in the near future. Just a matter of trying to find time in the somewhat hectic travel schedule we have here in Oz.

 I did read quite a lot on earthships about 10 years ago, and sort of let it go because for me personally it wasn't immediately applicable. During these past 10 years Michael has continued his research and work and not to forget legal battles. An earthship is independent from normal supply lines, and authorities don't like that sort of thing, so a lot of time gets spent in courtrooms and the like. But that also means that the legal precedents have been battled for, and all people need to do is copy them.

 Michael and his team have also built homes for stricken people in just about every global disaster zone, from the tsunami area to the Katrina one to Haiti. These zones are often full of waste and garbage, and that's what he uses to build his homes. Car tires, plastic bottles and tin cans are essential building materials. He calls the earthship "a radically sustainable home made of recycled materials".

The basic model, such as he built in Haiti, costs about $10,000. He said yesterday that every member of his team wanted one just like that, no extra frills whatsoever. You can get those frills though, there are many types of earthships. Earthships are self-sufficient in electricity, water, heating and sewage treatment. Even in Canada, or up in the very cold mountains of New Mexico, where Michael resides, no additional heating is required. The same goes for cooling in desert climates. An earthship is also set up to produce its own food. The earthship concept deserves far more attention in our times than it gets. And I intend to let The Automatic Earth play a solid role in increasing the attention level. For now, first, here's a few links to more information.

   
Video above: The documentary on Michael and his work: "Garbage Warrior" (buy it at www.garbagewarrior.com) From (http://youtu.be/YrMJwIedrWU).
   
Video above: Animation of a simple Survival Model Earthship. From (http://youtu.be/wTqSpx0Vgv4).

   
Video above: Earthship Global Model: Radically Sustainable Buildings. From (http://youtu.be/N2so9hyNWxc).

   
Video above: Earthship 101 - part 1. From (http://youtu.be/L9jdIm7grCY).
   
Video above: TV feature on 54 Earthship houses in New Mexico. From (http://youtu.be/mf9a5AVd9IA).
 
As I said, there are many more videos out there. But these should provide a good first impression for those of you who are not overly familair with the whole concept.

I'd like to see some Automatic Earthships be built; maybe we can play a coordinating role in that. Michael was talking about the 7 year legal battle he’s fought, and won, over buiding the first earthship community in the US. Seems like a great idea to me, that deserves being followed by many more in the world.

Anyone who's interested, let us know, and we'll see where we can go from there.

See also: Ea O Ka Aina: Garbage Warrior & the Earthship 5/28/10  

Heaven or a Levittown made of tires and bottles? .

Turn a Pallet into a Garden

SOURCE: Felicia Alongi Cowden (http://www.facebook.com/profile.php?id=773857661). SUBHEAD: If your cramped for space or simply do not have a yard, there are ways to grow herbs and spices using a pallet.  

By Fern on 25 March 2011 for Life on the Balcony - 
(http://lifeonthebalcony.com/how-to-turn-a-pallet-into-a-garden)

Post image for How to Turn a Pallet into a Garden 
Image above: And all others from original article.
 
Good news and bad news. I had planned to film a short video showing you how to make a pallet garden, but the weather didn’t cooperate. I was stapling the landscape fabric onto the pallet when it started drizzling and got really windy. That’s the bad news. But I know I promised a tutorial today, so I took photos and have kept my word to share how to make the pallet garden. I tried to be as detailed as possible. That’s the good news.

So keep reading my pallet loving friends, instructions on how to make your own pallet garden are just a few lines away…

Find a Pallet
The first thing you need to do is–obviously–find a pallet. I’ve had good luck finding them in dumpsters behind supermarkets. No need to be squeamish. It doesn’t smell. At least, it doesn’t smell that bad. Don’t just take the first pallet you find. You’re looking for one with all the boards in good condition, no nails sticking out, no rotting, etc. If you intend to put edibles in your pallet, be sure to find one that was heat treated as opposed to fumigated with pesticides.

Collect Your Supplies
For this project, you’ll need the pallet you found, 2 large bags of potting soil, 16 six packs of annual flowers (one six pack per opening on the face of the pallet, and two six packs per opening on the top of the completed pallet garden), a small roll of landscape fabric, a staple gun, staples, and sand paper.

Get Your Pallet into Shape
Once you’ve dragged your pallet home, give it a once over. Are any of the boards a little loose? Is the wood chipping in places? Nail down any loose boards, and use sand paper to smooth down any rough spots.

Let the Stapling Begin!
Decide which side of the pallet will be the bottom when the pallet garden is completed and leaning against the wall. You are going to be covering the bottom, back, and sides with landscape fabric, leaving the spaces between the slats and the top uncovered (you’ll be planting flowers in the uncovered spaces).
Lay the pallet face down. Roll the landscape fabric over the back. Cut two identically sized pieces that are long enough to go from the top edge of the back of the pallet and wrap all the way around the bottom, plus a few extra inches.


Hold the two pieces of landscape fabric together as if they were one piece of fabric. Fold over the top edge by one inch and center it on the top board of the back of the pallet. Staple the fabric into place near the top edge of the top board. Smooth the fabric out to the left and right and pull it taut. Staple the fabric down on the top, right edge of the top board. Repeat on the left side. Fill in between those three staples with one staple every two inches along the top edge of the top board.

When the top of the landscape fabric is securely attached to the top, back board, smooth the fabric down, and repeat the process along the bottom edge of the bottom board, except don’t fold the fabric under, leave a long flap on the bottom.

Pulling the fabric tautly along the bottom, fold the cut edge under, and staple the fabric down along the front edge of the bottom. Smooth the fabric out to the left and right and staple every two inches along the front edge of the bottom.

Now for the sides. Start near the bottom and fold the excess fabric inwards as if you were wrapping a present. Fold the cut edge of the fabric under and staple it down near the front, bottom edge of the side facade. Smooth the fabric out and place a staple every two inches along the front edge of the side of the pallet. The fabric should be taut but not in danger of tearing. Repeat on the other side of the pallet.

You should now have a pallet with landscape fabric wrapped around the sides, back, and bottom. Place more staples along the spine of the back side of the pallet, and anywhere else you think the fabric needs to be held down so that soil can’t creep into places you don’t want it to go.

Now for the Fun Part–Planting!
Bring the pallet close to wherever it’s final spot will be and lay it down face up. You’re going to plant it while it’s laying flat on the ground.

First slide the plants into what will be the top. Plant everything very tightly, you should have to practically shoe horn the last plant into place. Now that you have capped the top, pour the entire first bag of potting soil on top of the pallet. Push the soil into the pallet between the slats and smooth it out so that the soil is level. Repeat with the second bag of potting soil.



 Push potting soil into the bottom cavity, so that there is a trench directly below one of the bottom openings. Plant six plants in the trench, so that they are very tightly fitted into the opening. Repeat with the other bottom opening. Now push the potting soil up against those flowers you just planted, making a trench beneath one of the openings in the second row. Plant your flowers tightly in that opening. Repeat for all the remaining openings.


When you’re done planting, you should have plants that are completely covering every opening (i.e. there shouldn’t be any place for soil to fall out). There should also be soil firmly pushed into every part of the pallet where there aren’t plants.

Caring For your Pallet
Now, I’m going to tell you what you should do, and I what I always end up doing (which is what you should not do). You should leave the pallet flat on the ground for a couple of weeks (watering when needed), so that the roots can start to grow in and hold all the plants in place. I can never wait though, so I always tip the pallet upright a few days after planting. Some soil does fall out, but it seems to be okay. But I think it would be better if you left it to settle and only tipped it upright after a few weeks. Do as I say, not as I do.
Water your pallet regularly, they dry out quickly. Pay special attention to the bottom two openings, they seem to be the driest. Fertilize with water soluble fertilizer added to your watering can (follow package instructions for amount and frequency).

Did I leave anything out? I’ll try to answer all questions left in the comments.


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