Showing posts with label Architecture. Show all posts
Showing posts with label Architecture. Show all posts

March 2017 Eyesore of the Month

SUBHEAD: At this new children's hospital the usual tropes of brain-dead, off-the-shelf Modernism are on display.

By James Kunstler on 6 March 2017 for Kunstler.com -
(http://kunstler.com/eyesore-of-the-month/march-2017/)


Image above: Photo of nearly complete Michigan, Children’s Hospital in Troy, Mchigan. You can tell that by the cranes and trucks still working the site. This is an ugly building attempting to be cute. Notice the baby-blue and white 1964 VW Pickup under the drive-in canopy.  Just a bit too cute. From original article.

Behold the Troy, Michigan, Children’s Hospital, apparently based on the idea that little kids will associate chemotherapy with playtime.

Yes, the USA is a toxic stew of molecules not found in nature, and this building actually looks like Willie Wonka’s Carcinogen Factory.

The yellow stands for “Roundup” (Glyphosate) engineered into the very genetics of the corn that ends up in your child’s Froot Loops.

Orange stands for the dye that gives Cheez Doodles their vivid radioactive glow.

And blue represents the clinical depression induced by all the off-gassing carpet back in the family room at home in the subdivision.

 Love the planting bed in the foreground with the rusty steel pipe mysteriously protruding. And that would be for… uh…?

The usual tropes of brain-dead, off-the-shelf Modernism are on display, of course: the horizontal window bands evoking Ye Olde Insecticide Works, the canonical flat roof, the absence of any ornament that alludes to natural forms or expresses the contours of femininity (horror!).

The kicker: you can be sure the grounds crew is using Roundup on the grass.

Thanks to Frank Griffo for nominating this humdinger.

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The Raptor has Landed

SUBHEAD: The result is a sterile, boring, vacant chamber for Wall Streeters to throw parties.

By James Kunstler on 1 March 2016 for Kunstler.com -
(http://kunstler.com/eyesore-of-the-month/march-2016/)


Image above: Exterior of WTC Transportation Hub under construction looks like robot raptor. From original article.

Behold the Eyesore of the Month! And hail architect Santiago Calatrava’s World Trade Center Transportation Hub on its grand opening this month.

Starchitecture’s latest bowling trophy is less huge (yuge-uh!) than it looks. Check out the scale of construction vehicles at it’s beak end (or is that cloaca?)

[IB Publisher's note: Cloaca, (Latin: “sewer”), in vertebrates, common chamber and outlet into which the intestinal, urinary, and genital tracts open. It is present in amphibians, reptiles, birds, elasmobranch fishes (such as sharks), and monotremes. A cloaca is not present in placental mammals or in most bony fishes.]

The cost if this extravaganza is $4-plus billion according to Business Insider (http://www.businessinsider.com/wtc-transportation-hub-is-4-billion-2014-12).

It is not, by the way, New York City’s main train station. That distinction is shared by the enduringly grand Grand Central Station as well as the subterranean latrine known as Penn Station.

This new “hub” is just an entrance to the Jersey-bound PATH trains and a bunch of converging NYC subway lines that boil down to it being the city’s “18th-busiest subway stop” (according to the NY Times) – which isn’t saying a whole lot.

No doubt the project was cooked up in the same spirit of paranoid jingo-narcissism as the grandiose piece of shit known as “Freedom Tower” that was put up in the aftermath of the 9/11 attacks to provide a fresh target for the aggrieved peoples of the world.

Below is the acclaimed interior, dubbed “the Occulus” — a reference to the skylight on the raptor’s curved spine.


Image above: Interior of WTC Transportation Hub event space looks like an ice hockey rink. From original article.

The result is a sterile, boring, vacant chamber (soon to grow dingy) for Wall Streeters to throw parties (a.k.a. an “event space.”)

Remember - history is a prankster. With the banking and finance system heading south this year, and the political parties blowing up, and the USA heading into a terra incognita of social disorder, imagine how the raging 99-percenters will treat the partying Wall Streeters in their event space.

 Duck and cover, Goldman Sachtsers!

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November's architectural eyesore

SUBHEAD: It will never be renovated. It will have one generation of life and nobody will be able to repair it or maintain it.

By James Kunstler on 4 November 2015 for Kunstler.com -
(http://kunstler.com/eyesore-of-the-month/november-2015/)


Image above: Elevation view of UTS building in Sidney, Australia by Los Angeles architect Frank Gehry. From original article.

Behold the stylish new Dr Chau Chak Wing Building at the University of Technology Sydney (Australia) by starchitect Frank Gehry.

Every college has to have its Gehry. This one appears to be a stack of old-fashioned brown paper grocery bags, or something like that.

Here’s the catch: it will never be renovated. It will have one generation of life (or less) and then nobody will be able to repair it or maintain it.


Image above: Aerial perspective view of Frank Gehry UTS building showing more of its complications. From original article.

It’s a product of extraordinary complexity and hence enormous fragility. Do you assume that computer-aided fabrication will be available fifty years from now? Don’t bet on it.

The grid may be kaput. The server farms may be down.

The exotic metal alloys may not be available for the window sashes, not to mention the plate glass and the special brick (very energy-intensive).

All the curves, twerks, and weird angles detract from the building’s lifetime, not to mention its capacity for adaptive re-use (probably nil). Our attention-getting stunts-of-the-day represent stealing from our future ability to remain civilized.

G’day mates!


Image above: Frank Gehry and his son, in 1980, standing in front of his remodeled Santa Monica CA pink bungalow. Note the metal gate, corrugated metal siding, and cyclone fencing on roof (for security?).  This is the the work that brought him fame and eventually international prestige. From (http://architecture.about.com/od/houses/ss/Gehry-House-Inside-Out.htm).



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Rebel Architecture

SUBHEAD: A documentary series profiling architects who are using design as a form of activism and resistance.

By Andrew Butler on 7 Mar 2015 for Films For Action -
(http://www.filmsforaction.org/watch/rebel-architecture-2014/)


Image above:  A country home in Vietnam built of indigenous materials from river edge tropical forest demonstrates the integration of green nature that is missing in the cities. A still image from Part 6 below.

A six-part documentary series from Al Jazeera profiling architects who are using design as a form of activism and resistance to tackle the world's urban, environmental and social crises. The series follows architects from Vietnam, Nigeria, Spain, Pakistan, Israel/Occupied West Bank and Brazil who believe architecture can do more than iconic towers and luxury flats - turning away from elite "starchitecture" to design for the majority.

Part 1 - Guerrilla architect



Video above: Santiago Cirugeda is a subversive architect from Seville who has dedicated his career to reclaiming urban spaces for the public. From (https://youtu.be/674N2SnaAfs).

Part 2 -  A traditional future


Video above: Pakistani architect Yasmeen Lari uses local building techniques to rebuild villages in the flood-stricken Sindh region.. From (https://youtu.be/5yvAFis1FB0).


Part 3 The architecture of violence


Video above: Eyal Weizman explains architecture's key role in the Israeli occupation of Palestine and the evolution of urban warfare. From (https://youtu.be/ybwJaCeeA9o).

Part 4 - Greening the city

Video above: Vo Trong Nghia attempts to return greenery to Vietnam's choking cities and design affordable homes for poor communities.

From (https://youtu.be/bgQoVbEX8-A).

Part 5 - Working on water


Architect Kunle Adeyemi sets out to solve the issues of flooding and overcrowding in Nigeria's waterside slums. From (https://youtu.be/ciG2OJvlWb0).

Part 6 - The pedreiro and the master planner


Video above: Informal builder Ricardo de Oliviera struggles with the government's plan for the future of Rio's Rocinha favela. From (https://youtu.be/kv0_ELupyxs).

See more episodes of Rebel Architecture 2104
(http://www.aljazeera.com/programmes/rebelarchitecture/episodes.html)

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Dallas more inspired than Honolulu

SUBHEAD: Cottages for homeless people in Dallas will save taxpayers about $1.3 million.

By Eleanor Goldberg on 20 August 2015 for Huffington Post -
(http://www.huffingtonpost.com/entry/cottages-for-homeless-will-save-dallas-taxpayers-about-13-million_55d4bc9ce4b0ab468d9f5765)


Image above: Artchitect's rendering of site for cottages intended for chronically homeless in Dallas. From original article.

Dallas seems to have taken a cue from its neighbors in Houston on how to effectively tackle, and put an end to, chronic homelessness.

Starting November, 50 chronically homeless individuals in Dallas will each move into their own cottages in a complex that comes with green recreational space, solar energy and rainwater collection, among other green features, according to the Corporation for Supportive Housing. Residents will also have access to skills training and mental and physical health services, the Dallas Morning News reported.

In addition to giving homeless people a fresh start, the program will also save taxpayers a significant amount of funds.

A homeless person who cycles through the prison system and emergency health services typically costs the county about $40,000 a year, Keith Ackerman, executive director of Cottages at Hickory Crossing, told HuffPost. This innovative housing program will bring those costs down to less than $13,000.

That means about $1.3 million in total savings for taxpayers.
While locals will likely feel elated, the drastic figures aren’t anything new.

Numerous studies have found that “housing first,” which involves giving homeless people homes and then addressing their health and unemployment issues, is efficient and cost-effective.

Since 2012, for example, a similar housing initiative in Charlotte has saved the city $2.4 million in medical costs alone.

Moore Place, a Charlotte nonprofit, houses homeless people in its 85-unit complex and also provides its clients with a team of social workers, therapists, nurses and psychologists.

Houston announced in June that it was able to end chronic veteran homelessness by bringing together a number of local agencies to house 3,650 veterans over the course of three years.
Currently, the homeless population in Dallas is holding steady.

On a single night in January, there were 3,141 homeless people, an increase of 1 percent from last year, according to the Metro Dallas Homeless Alliance.

After six years of planning and development, the $8.2 million project broke ground in April, according to the Dallas Morning News.

The initiative partnered with a number of groups, including CSH, which provided a $50,000 grant and a $50,000 loan, according to the group.

The group has invited the public to get involved by purchasing items at Target to furnish the cottages and volunteering to serve as greeters to help the residents get settled.

The development won the AIA Dallas Design Award in the unbuilt category for its plans to foster a healing environment.

“This just makes sense,” Ron Stretcher, director of the Dallas County Criminal Justice Department, told the Dallas Morning News. “Everyone deserves a place to stay; we’re only as strong as the least among us. But even if you don’t subscribe to that, it’s cheaper to do this than to cycle them through the prisons and the jails and the emergency rooms.”


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The Transforming Castle Truck

SUBHEAD: New Zealanders Jola and Justin have created a three level road worthy house truck with its own turrets!

By Andrew Martin 15 May 2015 for Onenes Publishing -
(http://onenesspublishing.com/2015/05/seeing-is-believing-the-transforming-castle-house-truck/)


Image above: Exterior of road legal truck before its transformation into a castle home. Still shot from video below.

With the average size of houses having increased over recent decades, there is a growing movement for people seeking alternatives to large, expensive, energy intensive housing. Australia currently holds the record for the country with the largest homes.

The average size of a new Australian house increased from 162.2 square metres (1742 sq feet) in 1984 to 227.6 square metres (2444 sq feet) in 2003. The average new Australian home is now 10% bigger than even its U.S. equivalent [1].

Australian is closely followed by the U.S., Canada and New Zealand all having homes either over 200 metres squared or just under 200 metres squared (2200 feet squared). In contrast other countries have significantly smaller houses such as Germany (109 m2), Japan (95 m2), Sweden (83 m2), UK (76 m2), China (60 m2) and Hong Kong (45 m2).


Image above: Exterior of castle during transformation from truck. Still shot from video below.

While the trend over the last decade has been for larger homes, the tiny house movement is becoming popular among those wishing to be more sustainable and wanting to live simpler less consumerist lifestyles. The small house movement is about reducing the overall size of dwellings to less than 1,000 square feet or approximately 93 square metres.

Following the Global Financial Crisis and Hurricane Katrina both of which helped spark interest in the small home movement, there is a small but growing younger demographic moving toward living with less. While still a relatively small sector, the tiny house market is set to see more interest over the coming decades. As housing affordability deteriorates along with economic conditions people will seek alternative ways of living [2].

One such couple who have embraced the tiny house movement with their passion and skills are Jola and Justin from New Zealand. They have combined functional and practical with quirky and fun. They have created a three level road worthy house truck with its own turrets! The 40 square meter ‘Castle’ truck is an engineering masterpiece.


Image above: Interior of kitchen area of castle truck. Still shot from video below.

The Castle truck includes biofold doors, a loft, a rooftop bathtub, a large food dehydrator, a full working kitchen complete with oven cook top and refrigerator. The bathroom facilities include a shower (within one of the turrets) and composting toilet (in the other turret) and a washing machine. Solar panels pull out to provide power for the family and recycled materials have been used throughout the vehicle [3].

Don’t take my word for it see for yourself what the team over at Living Big in a Tiny House have done to showcase this quirky, fun and functional engineering masterpiece.


Video above: Unbelievable house truck transforms into fantasy castle. From (https://youtu.be/CnHGKUh-5O4).

Article compiled by Andrew Martin editor of onenesspublishing and author of One ~ A Survival Guide for the Future… and the JUST RELEASED Rethink…Your World, Your Future.




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Yosemite Park Turns 150

SUBHEAD: Now some park regions will be once again be accessible only by foot, to protect delicate regions of the park.

By Sasha Khokha on 28 June 2014 for NPR News -
(http://www.npr.org/2014/06/28/326216331/as-yosemite-park-turns-150-charms-and-challenges-endure)


Image above: Yosemite is located in east central California. The park covers an area of 761,268 acres  and reaches across the western slopes of the Sierra Nevada mountain chain. From (http://wordlesstech.com/2012/03/10/boulders-yosemite-national-park/).


Yosemite National Park, in California's Sierra Nevada, is celebrating the 150th anniversary of the law that preserved it — and planted the seeds for the National Park system. At the same time, the park faces the challenge of protecting the natural wonders from their own popularity.

Since President Abraham Lincoln signed the 1864 law that protected this land, visitors have been enjoying the park's spectacular features, from Half Dome to the giant sequoia grove — and the moonbow at Yosemite Falls.

The moonbow is like a rainbow, but at night. Some photographers time their visits to the park so they can catch a glimpse of this rare phenomenon, which is only visible when the moonlight catches the mist at the waterfall.

Four million people visit the park each year. Photographer Mark Zborowski, who's here to capture the moonbow, is among them.

He explains that the naked eye just sees a thin silvery band, but a long exposure with a camera can capture the moonbow's color. The entire scene is "just a spectacular view," Zborowski says.

"You look up, and you can see the ridges up high, and the stars," he says. "It fills your eyes — gives you a lot to feed off of."

Photography has been key to Yosemite's allure. Historians think it may have helped convince Lincoln to preserve a place he'd never visited.

Today you can still see some of the sites that appealed to those early photographers. Ranger and park historian Dean Shenk points out one of Yosemite's most famous trees, The Grizzly Giant — which he says is close in size to the Leaning Tower of Pisa.

"The first photographer who came to the Mariposa Grove in 1859 took a picture of the Grizzly Giant from the angle that we're looking at today," Shenk says.

This grove of giant sequoias, together with Yosemite's iconic valley, became the first federally protected wilderness areas on June 30, 1864, when Lincoln signed the Yosemite Land Grant.
"In the midst of our country's civil war, with all the bloodshed, all the battle, all the anxiety," Shenk says, "many of us would like to think that he took a moment and perhaps shook his head, or smiled, in just perhaps a sigh of pleasure."

Shenk compares the idea of protecting these lands to the seed of a giant sequoia, which is as tiny as an oat flake. "That seed planted by Lincoln's signature has expanded to the National Park System throughout America," he says.

But even those who urged Congress and Lincoln to preserve Yosemite warned that tourism had to be managed carefully, Shenk says. That includes Frederick Law Olmsted, the landscape architect who helped design New York's Central Park and helped oversee the Yosemite land grant.

"Not only did he predict the millions of people in the future, but he also said ... 'We must be aware of the capricious damage that one visitor might make, and then multiply it by the millions,'" Shenk says.



Olmstead and Yosemite

SUBHEAD: The vision of America's first and greatest landscape architect for wilderness preservation.

By Dan Anderson in 1998 for Yosemte -
(http://www.yosemite.ca.us/library/olmsted


Image above: Waterfall in Yosemite National park. From (http://www.wondermondo.com/Attractions/Waterfalls.htm).

[IB Publisher's note: Frederick Law Olmstead came to prominence with his winning design for New York's Central Park in 1853. Olmstead went on to reinvent landscape architecture - transforming it from a special service for rich landowners to the enhancements and preservation of the public commons. He designed many of the 19th century major urban parks including Brooklyn, Boston and Buffalo, Detroit, Denver, Milwaukee and many more. He also did the campus master plan for Stanford University the University of California Berkeley. His greatestwork may have been the philosophy he developed in the formulation of Yosemite Park and later the establishment of the Nation park System with the design of Yellowston National Park. For more see (http://en.wikipedia.org/wiki/Frederick_Law_Olmsted)] 

Yosemite Preliminary Report
Written in 1865 by landscape architect Frederick Law Olmsted when he served briefly as one of the first Commissioners appointed to manage the grant of the Yosemite Valley and the Mariposa Big Tree Grove from Congress to the State of California as a park, this Report offers one of the first systematic expositions in the history of the Western world of the importance of contact with wilderness for human well-being, the effect of beautiful scenery on human perception, and the moral responsibility of democratic governments to preserve regions of extraordinary natural beauty for the benefit of the whole people.

The Report also includes characteristically thoughtful suggestions for managing the Park for human access with minimal harm to the natural environment.

Olmsted read the Report to his fellow Commissioners at a meeting in the Yosemite Valley on August 9, 1865; ultimately intended for presentation to the state legislature, it met with indifference or hostility from other members of the Commission, and was quietly suppressed.

Olmsted himself left California for good at the end of 1865; he had arrived there just a little more than two years before to assume responsibilities as Superintendent for the Mariposa Mining Estate. Only in the twentieth century has his Preliminary Report come to be widely recognized as one of the most profound and original philosophical statements to emerge from the American conservation movement.

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Saving the world with Egotecture

SUBHEAD: The Chinese air-conditioning billionaire with six months to make the tallest building and save the world.

By Oliver Wainwright on 12 June 2014 for the Guardian -
(http://www.theguardian.com/artanddesign/architecture-design-blog/2014/jun/12/ecopolis-china-billionaire-worlds-tallest-building-six-months)


Image above: Zhang Yue, looking hung-over, presents what will save the ecosystem of Earth... the tallest building in the world to be built in six months. From original article.

Zhang Yue was the first man in China to own a private jet, and his office is modelled on the Palace of Versailles. Now, he plans to save the planet by raising the world's tallest building in just six months. A new documentary goes behind the scenes of the great Chinese eco gold rush

“It's always said that the solution to environmental problems starts at the grass roots level,” says Chinese billionaire Zhang Yue, sitting in his office in Changsha, central China, in a building modelled on the Palace of Versailles. Out of the window extends a long ceremonial avenue, lined with ornamental box hedges and cypress trees, terminating in a replica of the Great Pyramid at Giza.

“I think that's a mistake. Rich people recognize environmental problems first. How can you wake up if your living standard is very poor? Only the richest of the rich, the smartest of the smart, the greatest of the great, wake up first.”

Zhang would know about such things. He was the first man in China to own a private jet, having made his millions selling air conditioning units, but at the age of 54 has now renounced his material possessions in favour of saving the planet. And his answer? Building the tallest building in the world in the fastest possible time: Sky City, a vertical metropolis of homes and hotels, schools and hospitals – along with indoor farms capable of feeding 20,000. To be finished by the end of this year, he hopes.

His crusade is brought to life in vivid detail in a new documentary by Finnish film-maker Anna-Karin Grönroos, showing at the ICA next week, which pitches his sky-high ambitions against an eco-plan of a very different kind.

Wandering the verdant Mentougou valley outside Beijing, looking like a lost Father Christmas, we meet the white-bearded Eero Paloheimo, a 77-year-old Finnish professor who has devoted the last 10 years to trying to realise his lifelong vision for a clean-tech “Eco Valley” in Europe, to no avail.

“It's all that red tape and bureaucracy that makes it so slow,” he bemoans. “But when I come here, it just takes a month to get off the ground.” Like many before him, he has tasted the dizzying pace of development of China, the can-do march of the bulldozers and cranes, and found it irresistible. What fails in Europe will surely work in China. “In crises, democracy is too slow a method,” he adds, giving the impression of a man who knows his time is running out. “And we are facing an urgent crisis.”

Drenched with pathos, the documentary follows the trials and tribulations of these two men, giving fascinating glimpses behind the scenes of the Chinese eco gold rush. There are already 200 so-called eco-city projects underway across the country, in a fast-paced scramble to house the billion people that will be living in cities within the next 15 years. And savvy businessmen like Zhang know that's where the money – and the all-important state approval – is going to come from.

We follow the bumbling Paloheimo as he attempts to win approval for his grand plan, attending conferences and trade shows and grappling with the Chinese way of doing business, like someone trying to use chopsticks for the first time. He presents fly-through animations of sparling white blobs emerging from the hillsides like futuristic fungal growths, a wealth-bringing zero-carbon Silicon Valley about which the local villagers couldn't be more excited.

Zhang, meanwhile, battles with the inevitable suspicion with which the international press receives a plan for the tallest, most environmentally-friendly building, built in less than a year, by an air-con tycoon who has never erected anything more than 30 storeys.


Image above: Rendering of completed Ecotopolis China. Looks a lot like Sky City (see below) or (http://theflyingtortoise.blogspot.com/2013/07/this-is-what-next-worlds-tallest.html) or Burj Khalifa already built in Dubai but dusted off for a new group of suckers. From (http://studyinchina.universiablogs.net/2013/10/29/chian-race-to-the-sky/) and reproportioned to proper height here.

There are rumours on the internet calling Sky City a bluff,” he tells a colleague in a heated meeting, as they plot a lavish launch party to win the support of politicians and suppliers. “People don't trust us anymore. Therefore we need to convince them with a ceremony.”

The saga ends just as the Sky City project begins on site, with a lavish ground-breaking party that has all the pomp and ceremony of a project that is doomed to remain a rendering. Sure enough, just a few weeks later, construction was suspended when the authorities declared it lacked the proper permits – not to mention the concerns over elevator design and fireproofing, wind-loading and ground subsidence.

Paloheimo, meanwhile, is confronted by a shock-dose of reality that could be seen a long time coming. Like finding the mythical end of the rainbow, it seems that those chasing the Chinese eco dream are all too often left to discover it is nothing but a flimsy mirage.

See also:
Ea O Ka Aina: One Building One City 5/14/13

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WarkaWater in Ethiopia

SUBHEAD: This elegant invention draws water from air without muscular or electrical effort.

By Laura Secorun Palet on 26 May 2014 for NPR News -
(http://www.npr.org/2014/05/26/316124174/a-simple-elegant-invention-that-draws-water-from-air)


Image above: Three bamboo framed WarkaWater atmospheric condensers stand in Ethiopian village providing drinking water. From original article.

When Italian designer Arturo Vittori and Swiss architect Andreas Vogler first visited Ethiopia in 2012, they were shocked to see women and children forced to walk miles for water.

Only 34 percent of Ethiopians have access to a reliable water supply. Some travel up to six hours a day to fetch some or, worse, resorts to using stagnant ponds contaminated by human waste, resulting in the spread of disease.

Worldwide, a whopping 768 million people — two and a half times the U.S. population — don't have access to safe drinking water. So just imagine if we could just pull water out of thin air?

That's what Vittori and Vogler asked once they saw the magnitude of problem and vowed to take action. Their firm, Architecture and Vision, has since come up with WarkaWater, a majestic palm-like structure that may look like something you'd see in a modern art museum but it's been designed to harvest water from the air.

WarkaWater, which is named after an Ethiopian fig tree, is composed of a 30-foot bamboo frame containing a fog-harvesting nylon net that can be easily lowered for repairs and to allow communities to measure the water level.

Collecting water through condensation is hardly a new technique, but the creators of WarkaWater say their tree-inspired design is more effective, maximizing surface and optimizing every angle to produce up to 26 gallons of drinkable water a day — enough for a family of seven.

Many Failed Attempts By Aid Groups

Western organizations have been working to provide clean water access in Africa for decades, so WarkaWater joins a very long list of earlier attempts. So far, high-tech solutions, like the once-promising Playpump (a hybrid merry-go-round water pump), have failed, mostly due to high costs and maintenance issues.

This is where WarkaWater could stand apart — as a lower-tech solution that is easy to repair and far more affordable than digging wells in the rocky Ethiopian plateau.

Each water tower costs $550 — a Playpump is $14,000 — and its creators say the price will drop significantly if they start mass-producing it. The structure takes three days and six people to install and doesn't call for any special machinery or scaffolding.

"Once locals have the necessary know-how, they will be able to teach other villages and communities to build the WarkaWater towers," says Vittori, who is already working on WarkaWater 2.0, an upgraded version that may include solar panels and LED bulbs to provide light after dark.

The firm is in the process of raising funds to begin installing towers in Ethiopia next year. And WarkaWater could also prove useful in other areas, like deserts, which have the critical feature for collecting condensation: a dramatic change in temperature between nightfall and daybreak.

This elegant invention may not solve all of the world's water woes, but it could improve accessibility one drop at a time.

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The Fate of a City

SUBHEAD: The Frank Gehry condos and the Robert Stern hedge fund aeries recently built are already obsolete.

By James Kunstler on 13 January 2014 for Kunstler.com -
(http://kunstler.com/clusterfuck-nation/the-fate-of-a-city/)


Image above: Frank Gehry highrise luxury apartments at 8 Spruce Street in downtown Manhattan. From (http://luxuryrentalsmanhattan.com/blog-tags/micro-neighborhoods).

I was born and raised in New York City, on the east side of Manhattan (with a brief intermezzo in the long Island Suburbs (1954 – 1957) though I have lived upstate, two hundred miles north of the city, for decades since. I go back from time to time to see publishers and get some cosmopolitan thrills. One spring morning a couple of years back, toward the end of Mayor Bloomberg’s reign, I was walking across Central Park from my hotel on West 75th Street to the Metropolitan Museum of Art when I had an epiphany.

Which was that Central Park, and indeed much of the city, had never been in such good condition in my lifetime. The heart of New York had gone through a phenomenal restoration.

When I was a child in the 1960s, districts like Tribeca, Soho, and the Bowery were the realms of winos and cockroaches. The brutes who worked in the meatpacking district had never seen a supermodel. Brooklyn was as remote and benighted as Nicolae Ceausescu’s Romania.

The Central Park Zoo was like a set from Riot in Cellblock D, and the park itself was desecrated with the aging detritus of Robert Moses’s awful experiments in chain-link fencing as a decorative motif. Then, of course, came the grafitti-plagued 1970s summed up by the infamous newspaper headline [President] Ford to City: Drop Dead.

Now, the park was sparkling. The sheep’s meadow was lovingly re-sodded, many of Frederick Law Olmsted’s original structures, the dairy, the bow bridge, the Bethesda Fountain, were restored. Million dollar condos were selling on the Bowery.

Where trucks once unloaded flyblown cattle carcasses was now the hangout of movie and fashion celebrities. Brooklyn was a New Jerusalem of the lively arts. And my parents could never have afforded the 2BR/2bath apartment (with working fireplace) that I grew up in on East 68th Street.

The catch to all this was that the glorious rebirth of New York City was entirely due to the financialization of the economy. Untold billions had streamed into this special little corner of the USA since the 1980s, into the bank accounts of countless vampire squidlets engaged in the asset-stripping of the rest of the nation.

So, in case you were wondering, all the wealth of places like Detroit, Akron, Peoria, Waukegan, Chattanooga, Omaha, Hartford, and scores of other towns that had been gutted and retrofitted for suburban chain-store imperialism, or served up to the racketeers of “Eds and Meds,” or just left for dead — all that action had been converted, abracadabra, into the renovation of a few square miles near the Atlantic Ocean.

Nobody in the lamebrain New York based media really understands this dynamic, nor do they have a clue what will happen next, which is that the wealth-extraction process is now complete and that New York City has moved over the top of the arc of rebirth and is now headed down a steep, nauseating slope of breakdown and deterioration, starting with the reign of soon-to-be hapless Bill de Blasio.

Mayor Bloomberg was celebrated for, among other things, stimulating a new generation of skyscraper building. There is theory which states that an empire puts up its greatest monumental buildings just before it collapses. I think it is truthful. This is what you are now going to see in New York, especially as regards the empire of Wall Street finance, which is all set to blow up.

The many new skyscrapers recently constructed for the fabled “one percent”— the Frank Gehry condos and the Robert A.M. Stern hedge fund aeries — are already obsolete. The buyers don’t know it. In the new era of capital scarcity that we are entering, these giant buildings cannot be maintained (and, believe me, such structures require incessant, meticulous, and expensive upkeep).

Splitting up the ownership of mega-structures into condominiums under a homeowners’ association (HOA) is an experiment that has never been tried before and now we are going to watch it fail spectacularly. All those towering monuments to the beneficent genius of Michael Bloomberg will very quickly transform from assets to liabilities.

This is only one feature of a breakdown in mega-cities that will astonish those who think the trend of hypergrowth is bound to just continue indefinitely. It will probably be unfair to blame poor Mr. de Blasio (though he surely can make the process worse), even as it would be erroneous to credit Michael Bloomberg for what financialization of the economy accomplished in one small part of America.

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Off-grid handcrafted life

SUBHEAD: Schulz models much of what he builds on the Japanese aesthetic - make everything in life not just functional, but beautiful.

By Kirsteen Dirksen on 25 November 2013 for Fair Companies -
(http://faircompanies.com/videos/view/off-grid-handcrafted-life-on-oregon-farm-workshop/)


Image above: Front entrance of 200sf structure built from local materials. Still from video below.

Brian is an "obsessive craftsman" who believes he can build most anything in his life. On his Oregon farm he has built, or renovated, five tiny structures. After being told by the county that he couldn't erect a yurt, he built a code-approved main house "to give us a place to legally stay".

Once the main house was built, he created several smaller structures (less than 200 square feet) on the property from 90% local materials.

The farm is completely off the grid and Schulz points out that this doesn't mean they rely on propane or lots of photovoltaics. Nearly all their tools for living have been adapted to fit the off-grid lifestyle.
For his prototype solar-powered bathhouse Schulz used recycled solar hot water panels, salvaged hot water tanks (from the dump), a solar thermal window and a recycled soaking tub.

Indoors, Schulz has adapted a chest freezer to create a low-consuming refrigerator (using a tenth of the electricity of a regular fridge) and a 1940s wood-fired cookstove to cook, heat and as a heat-exchanger, harvesting waste heat and thermo-syphoning water to heat up the home's hot water.

They do have a limited number of photovoltaic panels which produce about 1000 watts of electricity when the sun is shining (for the entire farm), as well as a micro hydro generator in the creek and solar thermal panels.


Image above: Hand-crafted kayak frame on rafter ties below ceiling of structure above. Still from video below. 

Schulz models much of what he builds on the Japanese aesthetic and tries to make everything in his life not just functional, but beautiful (e.g. his bathhouse was designed not just as a shower, but as a way to de-stress).

Schulz is an avid kayaker and for his day job, he builds skin-on-frame kayaks (as well as teach others to build their own).


Video above: Tour of off-grid Oregon organic farm, kayak workshop and home. From (http://youtu.be/7DSQ0W2lwtw).

Cape Falcon Kayak: http://capefalconkayak.com/

More info on original story: http://faircompanies.com/videos/view/...


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Architecture in Age of Austerity

SUBHEAD: A presentation by Leon Krier. Skyscrapers and cul-de-sacs are dead-end parasites in human settlements.

By Oyvind Holmstad on 25 November 2013 for P2P Foundation -
(http://blog.p2pfoundation.net/leon-krier-architecture-in-the-age-of-austerity/2013/11/22)


Image above: Massive stainless steel NYC high-rise by Frank Gehry. From (http://younxt.wordpress.com/2011/04/01/new-york-by-gehry/).

This lecture by Leon Krier is one of the most informative I’ve ever watched on the field of architecture, each minute is a flash of insight. Great architecture is just so simple, maybe this is why it is so difficult to achieve for modern man? We are born with the language of architecture, it’s universal, but we lost it with the coming of Modernism. Luckily, as Krier states, flowers have not become modernists.

There is a short introduction in Spanish, but Krier speaks in English language. The theme is architecture in the age of austerity, and we learn that modern architecture is only possible because of abundant energy and big machines. With the decline of civilization we’ll have no other choice than a return to traditional architecture, which is one of the aspects that will make our future better than the present, in spite of all the turmoil we’ll face.


Image above: Vernacular style owner built cob home. From (https://ecoexperience.wordpress.com/category/eco-village-2/).

First I wanted to write a summary of this lecture, but I found that too immense a task, as it’s filled with mind breaking stuff. I’m too overwhelmed and need time to absorb all this information. Just listen to what Krier has to say about skyscrapers at about 45 minutes into the video, and even the most fanatic skyscraper lover will have to admit this is one of the most stupid inventions in human history.

I know that people like Nikos A. Salingaros and Joseph Redwood-Martinez see Leon Krier as a giant, and after watching this lecture I’ve come to the same conclusion. Krier gives hope for a return to sanity for humanity. Beauty and sanity are the same thing, and the only thing that can give us back love for Earth.


Video above: Architecture In The Age Of Austerity by Leon Krier (54 minutes). From (http://youtu.be/iCRqcFvdn8o).

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One Building - One City

SUBHEAD: Sky City - The world's tallest prefab building is breaking ground in China. Exactly the wrong idea.

By Lloyd Alter on 14 May 2013 for TreeHugger -
(http://www.treehugger.com/modular-design/one-building-one-city-worlds-tallest-prefab-breaking-ground-june.html)

[IB Publisher's note: It's bad enough to think dragging people off the rural countryside to work in industrial cities, but this Sky City colossus is about as unsustainable an idea as we have seen. Just imagine a de-industrialized future. some thirty years hence, when several panels have blown off the building and the elevators are not working. The top 160 stories will be uninhabitable. Could worse planning be conceived?]


Image above: Computer generated Still image rendering from video below. From original article.

Broad Sustainable Construction informs us that a long and arduous approval process has been completed, and that they are starting excavation and construction on Sky CIty in June, 2013.
Why build the world's tallest building in the middle of a field in Changsha, China? Why build it at all? The answer, according to BSC, is that it is the most sustainable way to accommodate a growing population.

This is not a trophy like the Burj Khalifa, a thin high tech spire that isn't even connected to a sewer system. They call it a "pragmatic" building, designed for efficiency, affordability, replicability. They also make a strong case for it being sustainable. BSC writes:
The world population is increasing at 1.8% year by year. In the near future, land, energy, climate may breach the critical point.
The Sky City concept significantly reduces the per capita use of land, and the CO2 emissions generated getting around. They call it "a way of development for higher life quality and lower impact on the environment" They see this as the future of Chinese city building: "Urbanization can not be materialized at the cost of land and environmental pollution."

By going up, hundreds of acres of land are saved from being turned into roads and parking lots. By using elevators instead of cars to get to schools, businesses and recreational facilities, thousands of cars are taken off the roads and thousands of hours of commuting time are saved. It makes sense; vertical distances between people are a whole lot shorter than the horizontal, and elevators are about the most energy efficient moving devices made. A resident of Sky City is using 1/100th the average land per person.

If you would rather walk rather than wait for one of 92 elevators, there is six mile long ramp running from the first to the 170th floor. Beside the ramp are 56 different 30 foot high courtyards used for basketball, tennis, swimming, theatres, and 930,000 square feet of interior vertical organic farms.

They have built a full-scale mockup of the ramp construction.
The numbers continue to stagger. In one building, there will be accommodation for 4450 families in apartments ranging from 645 SF to 5,000 SF, 250 hotel rooms, 100,000 SF of school, hospital and office space, totalling over eleven million square feet. The building footprint is only 10% of the site; the rest is open parkland.

There's more: The building is designed to be earthquake resistant to Magnitude 9, and to a 3 hour fire resistance rating, provided by ceramics installed around the structure. 16,000 part time and 3,000 full time workers will prefabricate the building for four months and assemble on site in three months. The Broad system is based on prefabricated floor panels that ship with everything need to go 3D packed along with it, so they are not shipping a lot of air. It all just bolts together.


Video above: Promotional film of One Building, One City. From (http://youtu.be/MvX40RHW81w).

BSC claims that by building this way, they eliminate construction waste, lost time managing trades, keep tight cost control and can build at a cost 50% to 60% less than conventional construction.

The design is based on the "bundled tube" structure, first demonstrated in the Sears (now Willis) tower and also used in the Burj Khalifa. BSC notes that "In the past, Super Tall Buildings were form-obsessed, whereas Sky City is a firm pyramidal structure."- they are obsessed with engineering, not style.

In a previous post, commenters suggested that this was too big an engineering challenge, but "Over a hundred tests of physical strength & fire resistance were performed, and wind tunnel tests were conducted by three research institutions.... [The design] completed over 10 sessions of government assembled expert group reviews."

This is going to be a controversial vision of sustainability; Putting 30,000 people in a single building is a hard sell. It is not the bucolic version of green living that most people think of. It certainly is a lot higher than what I have called the Goldilocks Density.
But it is the logical extension of the Edward Glaeser / David Owen thesis that the way to go green is to go up, reducing the amount of land used per person and the distances people travel. Lisa Rochon wrote about the Aqua Tower In Chicago:
[Architect Jeanne Gang] notes that Aqua puts about 750 households on a third of an acre, allowing people to walk from their home to their jobs and to culture and recreation. “The most important thing we can do for the environment is live in compact cities with mass transit,” argues Gang, “that reduce the reliance on the car and other resources.”
This building puts 4,450 households on two acres and it is actually designed with energy conservation in mind. By going huge they are getting tremendous manufacturing efficiencies; by going vertical they get the kind of repetition that makes it affordable. By going half a mile high and 220 stories they are going to get noticed.

It is a vision of sustainability that people in a crowded world are going to have to get used to.


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Christmas Story

SUBHEAD:  Unlike the depressing "facilities" most of our festivals take place in, Hubbard Hall is a center of life for this struggling community.

By James Kunstler on 10 December 2012 for Kunstler.com -
(http://kunstler.com/blog/2012/12/christmas-story.html)


Image above: South elevation of Hubbard Hall in Cambridge, NY.  From (http://en.wikipedia.org/wiki/File:Hubbard_Hall,_Cambridge,_NY.jpg).

On Saturday, the town next to us, Cambridge, New York, put on its annual Christmas breakfast in the main theater of its old opera house, Hubbard Hall. Cambridge is a farming town in a farming economy that died and is just beginning to be re-born. The town occupies a landscape of tender hollows and gentle hills that rise toward the Green Mountains of Vermont twenty miles east. This topography allowed a specialty economy of seed husbandry to thrive. Each little hollow, like a little isolation ward, could be used to cultivate pure seed strains of a vegetable untainted by other varieties.

The modest red-brick factory in the center of town was never a smokestack industry. It was a seed-sorting and packing operation. Today, the "re-purposed" building occupies a very mixed assortment of activities: a specialty woodworking shop, a health club full of cardio machines, and artist's studios. The town - indeed, much of Washington County - has attracted bohemians over the years. It is just a little too distant from New York City to have been taken over by weekenders, and my guess is that the way things are going the danger of that is now past.

Of course, bohemian artists are generally not wealthy and a glance down Main Street shows all the usual signs of distress visible in the shattered economies of small towns around the region. Many of the operating storefronts are antique shops - an effort to wring residual value from emptying the attics and barns of homesteads under-occupied and under utilized, the strip-mining of history. Many of the big wooden houses, typical of the 19th century when large inter-generational families were the norm, are slowly decrepitating. They require a lot of expensive maintenance, which has been impossible for decades now, and it shows.

Hubbard Hall, a big wooden heap with its Second Empire mansardic tower, was erected in 1878 for the traveling shows and vaudevilles of the day and shuttered in the 1920s. It was rescued from oblivion in the 1970s and has evolved into a very busy center for the lively arts, which now includes two other buildings, freight barns adjacent to the defunct railroad station. There's a ballet studio, a music rehearsal room, a room for kids' art classes, and a separate building for contra dances. The programming is very rich. The old theater, where at least four plays and sometimes operas are performed by a capable local troupe each year, is the heart of the operation and that is where last week's Christmas breakfast was held.


Image above:  Hubbard Hall performance of Mozart's  "The Magic Flute".  From (http://en.wikipedia.org/wiki/File:Hubbard_Hall,_Cambridge,_NY.jpg).

It is the kind of gathering place for people that could never be built now under the absurd burden of our construction codes. And that is finally what I want to talk about here: the magnificence of the room itself and how it affects the beating life of this struggling community. Unlike the depressing "facilities" most of our festivals take place in around the USA - the gymnasiums and Holiday Inn "function rooms" with their extraneous furnishings, acoustical ceilings studded with fire-prevention shower heads, off-gassing carpets, and atrocious fluorescent lighting - Hubbard Hall has a lofty painted ceiling and a graceful swooping wooden balcony in the rear. The proscenium arch is decorated in floral motifs out of the William Morris pattern book. The big room smells like old wood and history and the stairs to it creak musically.

For seventeen years, the town has put on a Christmas breakfast devised to celebrate the culture of a foreign land, mostly for the sake of the children who grow up in a town that is, in the language of social services, ethnically un-diverse. This year it was Poland. Now, it happens that I joined a string band about a year ago that practices every week and plays for the monthly contra dance. I play fiddle, an instrument that is easy to play badly. We practiced four Polish folk dance tunes for the month preceding and rehearsed with the dancers, a troupe of middle school girls, once.

I was not prepared for how splendid the event turned to be. The theater walls were decorated with pine boughs. Little electric lights and swags of pine edged the apron of the stage and the balcony rail. Many tables were set where the audience usually sits (the chairs are movable), covered with table-cloths, with a big platter of Christmas cookies at the center of each. Children about ten or eleven circulated with platters of pirogies and strudels. The bustle of life in that room was enchanting. There were two seatings at the breakfast, nine and eleven, both of them very full. The program on stage was a mixed bag of dance, story-telling, puppetry, and musical performance, all done surprisingly well and with the wonderful élan of people who know and care about each other. When both seatings were over, our little band broke spontaneously into Christmas carols, which we hadn't practiced at all, and somehow managed to play pretty well as the townspeople drifted toward the exits.

I maintain that there is something about the room itself, its small-scale magnificence, that honored the presence of the people in it, and amplified all the pleasures of being together for the purpose of festivity. America these days is mostly composed of places that are not neutral as they seem, but positively hostile and antagonistic to what is most human in us - the mechanism that produces love. To quote myself from a book published some time ago, we built a nation of scary places and became a land of scary people. Thus, we are truly fortunate that the long emergency is upon us, because now circumstances will compel us to do things differently.

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Post-Peak Woodwork

SUBHEAD: Architecture in a post-peak oil post-industrial scavenging world. By Ugo Bardi on 18 August 2012 for Cassandra's Legacy - (http://cassandralegacy.blogspot.it/2012/08/post-peak-woodwork.html) All images in original article by Ugo Bardi. The modest me admiring a wooden shack in the village of Valboncione, Italy. I already placed on line a picture of the village and of some of the local dwellers (http://cassandralegacy.blogspot.it/2012/08/old-ladies-of-appennino-mountains.html). Building things by yourself, especially with leftover material, has this air of post-peak self-reliance. But, often, that supposes the existence of industrially made products. When you need wood, for instance, you can get planks or beams from a store or, more in a post-peak style, you use material taken from discarded furniture. But in both cases, the wood you use has been industrially processed. Suppose, instead, that you live in a remote village in the mountains, a place like Valboncione, in Italy. Up to not so long ago, clearly, they didn't have access to industrially processed wood. Still, they needed to build shacks and they managed to do that with what they had. The results are remarkable, in a sense, although not exactly the kind of place where you can find shelter from a gust of cold wind! And look at how the hinges for one of the doors were made: There are several of these shacks in the village; all built in the same way and none can be older than a few decades - they couldn't possibly have lasted more than that. They way they were made is amazing: look at how all sorts of beams and planks have been joined together. It looks like all the elements in wood were made by hand, one by one. If this is not post-peak, what is? .

Down the Skyscraper

SUBHEAD: the modern skyscraper—a phallic challenge to the heavens—is an object study in failed ambition.  

By Dmitry Orlov on 15 April 2012 for Club Orlov -  
 (http://cluborlov.blogspot.com/2012/05/down-skyscraper.html)

 
Image above: Rendering of 1,398 foot tall proposed Gazprom tower in the Russia's Primorsky District, far on the outskirts, on the Gulf on Finland. From (http://www.worldarchitecturenews.com/index.php?fuseaction=wanappln.showprojectbigimages&img=4&pro_id=16929).

It was Andrew Lawrence, the inventor of the skyscraper index, who pointed out that the building of the world’s tallest buildings is a good proxy for dating the onset of major economic downturns. His index has stood the test of time; the few times when it made an incorrect prediction can be adequately explained by exceptional circumstances, such as the onset of world wars. It is now being put to the test again, and we ignore its advice at our own peril.

In “Skyscrapers and Business Cycles” Mark Thornton writes:
“The ability of the index to predict economic collapse is surprising. For example, the Panic of 1907 was presaged by the building of the Singer Building (completed in 1908) and the Metropolitan Life Building (completed in 1909). The skyscraper index also accurately predicted the Great Depression with the completion of 40 Wall Tower in 1929, the Chrysler Building in 1930, and the Empire State Building in 1931.”
“The Petronas Towers were completed in Kuala Lumpur, Malaysia in 1997 setting a new record for the world’s tallest building at 1,483 feet [452m] beating the old record by 33 feet [10m] (the two towers were only 88 stories high compared with the 110 story giants built in the early 1970s). It marked the beginning of the extreme drop in Malaysia’s stock market, rapid depreciation of its currency, and wide-spread social unrest. Financial and economic problems spread to economies throughout the region, a phenomenon known as the “Asian Contagion.”
Thornton then goes on to elaborate why this might be so, based on economic theory:
“...the construction of the world’s tallest buildings [is] a salient marker of the twentieth-century’s business cycle; the reoccurring pattern of entrepreneurial error that takes place in the boom phase that is later revealed during the bust phase.”
“The world’s tallest buildings are generally built when there is a substantial and sustained divergence between the actual interest rate and the natural rate of interest, where the actual rate is below the natural rate as a result of government intervention. When the rate of interest increases, the financial effects all reduce the value of existing structures and the demand to build tall structures and when combined with depressed economic activity, the desire to build at all.”
In short, people are born stupid, and this results in a periodic divergence between one artificial parameter not observable in nature and some other artificial parameter not observable in nature. And then people lose the desire to build. If you aren't pleased with explanations of this sort, then here is an alternative one, using just words, without any of the statistical/mathematical hocus-pocus fetishized by the economics profession. Skyscrapers occur during the terminal stage in the hypertrophy of financial and other control mechanisms. They are optimized for a single function: sucking resources out of the surrounding, low-rise economy, which is actually tied to the natural world in some way, through agriculture or resource extraction or the use of physical human labor. The appearance of very large skyscrapers signals the onset of a new kind of economic vampirism, in which the parasite outgrows the host, and then begins to starve.

Although it is easy to assume that the life blood being sucked out by the vampires is money, it is actually hope. In his novel Empire “V” (“V” stands for “vampire”) Viktor Pelevin describes an entire vampiric ecosystem: the imperial vampires feed not on money but on a metaphysical substance called bablos. Bablos is generated when people, multitudes of them, work for money in pursuit of their hopes and dreams. Bablos is harvested when these hopes and dreams are then shattered. The vampires' bag of tricks includes abstract disciplines such as Discourse and Glamor, which they use to optimize the metaphysical expropriation of the products of human greed and envy. Bablos is administered as part of a special ritual, during which bushels of worn-out currency are burned in a fireplace, but this is only done to symbolize that the money has served its purpose as a vehicle for harvesting hope via greed.

It is hardly unexpected that high belfries would be inhabited by large bats. Skyscrapers crop up when the economic vampires decisively gain the upper hand and feel exuberant about their ability to endlessly expand their numbers and their reach. But the moment at which they are at their strongest is precisely when their quarry—the base of natural resources made available by human labor—is, correspondingly, at its weakest, and can no longer support the ever-increasing load of parasites. The result is a downturn, or a crash, or a collapse.

The ascent to the top of a skyscraper is normally an exhilaratingly rapid ride in a high-speed lift, but, in an emergency, or a downturn/crash/collapse, the descent can be nothing of the sort. As John Michael Greer writes in The Long Descent:
“...as we've climbed from step to step on the ladder of progress, we've kicked out each rung under us as we've moved to the next. This is fine so long as the ladder keeps on going up forever. If you reach the top of the ladder unexpectedly, though, you're likely to end up teetering on a single rung with no other means of support—and if, for one reason or another, you can't stay on that one rung, it's a long way down. That's the situation we're in right now, with the rung of high-tech, high-cost, and high-maintenance technology cracking beneath us.” [p. 168]
Lofty and proud, often endowed with a literal pinnacle of human ingenuity and industrial might, a skyscraper has but two futures: as a smoldering pit produced by a controlled demolition, or as a rusting, teetering derelict, shed of its plate glass and overgrown with vine, serving as a bird rookery, with only an occasional visitor scaling its lofty heights, swatting away the birds, to scrape up some guano, perhaps pocketing a few eggs along the way. This is the career path of the skyscraper: from the lofty seat of the captains of industry to a mighty bird-shit factory in the sky; or is it bat-shit? Let's just call it “sky-scrapings.”

The prospect of collapse is built right into the very concept of the skyscraper. The best case scenario of a controlled demolition requires explosive charges and electronic sensors to be placed in key areas all along its steel frame. The explosions must be triggered in a specific sequence, precise to the millisecond and dynamically adjusted by a computer so as to steer the accumulating avalanche of rubble into the footprint of the skyscraper's basement, to be excavated using heavy machinery once the entire mass stops burning and cools down. Without such precise and active control, things are guaranteed to go sideways because errors multiply rather than cancel. 

The idea that a skyscraper can collapse down into its own footprint by itself has been disproved by every generation of little children who played with stacking up blocks and knocking them down: the blocks don't land on top of each other in an neat little pile; they scatter all over the living room floor. The worst case scenario is that the entire structure will eventually start to lean a bit, then a bit more, and eventually topple, forming a trench forced with twisted steel. Where the skyscrapers are packed close together, as they are in the many “downtowns” where skyscrapers are to be found, there is a chance of a domino effect, with one skyscraper knocking down others in a chain reaction.

What better metaphor is there for our entire collapse-prone, highly temporary living arrangement than a skyscraper? An update to the ancient Greek myth of Icarus who flew too close to the sun, which melted the wax holding together his wings, causing him to plummet into the sea and drown, the modern skyscraper—a phallic challenge to the heavens—is an object study in failed ambition. Perhaps most significantly, no other type of building intended for human use goes so quickly from comfortable and posh to potentially lethal. Having worked in many of them over the years, I have been forced to watch, and even to participate in, situations that have convinced me that I don't want to spend any significant amount of time either inside or near any skyscrapers.

While working at 100 State Street in Boston, I once witnessed an emergency involving a window washer. One of the two cables holding up the platform that travels up and down the side of the building, allowing the window washers to do their job, snapped. The platform then hung vertically, held by a single cable, with the window washer barely holding on.

The various fashion victims who inhabited that floor of the tower (it was in an advertising agency) crowded next to the window and signaled their shock with theatrical gasps and pantomimes of horror. The fire department was called, and the following routine played itself out. First, the entire building was placed under lock-down: nobody could enter or exit the building.

Second, a security perimeter was established around it; traffic was stopped and cars parked within the perimeter were towed away. Third, firemen used axes to smash the plate glass window next to the window washer from inside, sending a cascade of glass shards tumbling down to the now empty street below. It took a surprising amount of force to bash through the glass. It sounded like gunfire when it finally broke away in large, irregular-shaped pieces, which, after smashing into the pavement below (I went down to check) looked like coarse sand. Finally, two more firemen standing inside the building grabbed the window washer and pulled him in.

On another occasion, I was working across the street from 1 Broadway in Kendall Square, an MIT-owned building in Cambridge, when that building suffered a transformer explosion in its basement. “Workers described suffocating smoke that smelled like burnt rubber and was so thick in places it was hard to see even a few inches.” wrote the Boston Globe.

Since lights went out in the entire area, our building was evacuated as well, and I went over to observe. I saw hundreds of people emerge from the building over a period of many minutes, at least a hundred of them bearing the telltale smoke inhalation soot marks under their noses. Some collapsed, some bent over retching, some just stood there trying to catch their breath.

What they had inhaled was burned plastic from office carpeting, furniture and partitions (loaded with dioxins) and burned transformer oil (loaded with polychlorinated biphenyls). In a short period of time they had absorbed a load of toxic chemicals which, lodged in their lungs, will last them the rest of their life, hastening its end. Mercifully, this building had only 17 floors; had it been a scraper, more people—perhaps everyone in the building—would have been forced to breathe smoke for a longer period of time.

You see, skyscrapers are not really like other buildings. They are more like space capsules hanging in the sky, closer to ships and planes than to buildings. But ships have life rafts and lifeboats and planes have oxygen masks in case of decompression and inflatable chutes and life vests in case of a water landing, and buildings have fire escapes and windows reachable by the fire department's ladder trucks, while skyscrapers have... stairwells. These stairwells are some of the most frightening places in which you might find yourself: featureless, claustrophobic, and endless. Often these stairwells are not accessible from the elevator halls directly, but require going through areas secured by electronic access cards, which require electricity to work: if a power cut finds you in the elevator hall, that's where you will stay.

In an emergency, you and your co-workers, two-thirds of whom (in the US) are obese or have bad knees or a bad heart or are wheelchair-bound, are expected to giddily trot down tens of flights of stairs. Since such processions are only as fast as their slowest participants, they progress very slowly. If there is a fire, the stairwells can quickly fill with smoke. Panics, stampedes and jams are not uncommon; beyond a certain density, people form a solid plug of bodies, and then nobody can move. Efforts to simulate the behavior of crowds exiting a skyscraper using fluid dynamics, to try to find a better way, have run into a problem: in such situations, the crowd does not behave as a fluid should. It forms clumps. The state of the art is to simply try to hold people back until the stairwell clears.

What might trigger such an evacuation? There could be many reasons, but the two common ones are a fire and a power outage. A fire automatically triggers a power outage, to avoid the possibility of further fires started by electrical equipment that has been soaked by the sprinklers. Some skyscrapers are equipped with diesel power generators, which can provide emergency power, even in case of a fire, but then only to emergency systems.

If the idea of slowly trudging down an endless stairwell while inhaling toxic smoke does not appeal to you, here are a couple of options. The first is to buy a “Personal Escape Device” (the base model is $500 down plus $50 a month with a 10-year commitment, according to the web site.) You will also need an axe to smash out the window, since in a skyscraper none of the windows open; good luck smuggling one past security.

The other option is for the active and adventurous vampire bat: learn BASE jumping, and keep a chute and a wing-suit (and, of course, an axe) with you at all times. This may seem dangerous, but, given the nature of this sport, the list of known fatalities is actually fairly short. No self-respecting skyscraper-dwelling vampire bat should be without a bat-suit. Good luck!

But where is the skyscraper index pointing at the moment? One project worth watching is the Gazprom tower being planned in Lakhta-Center in St. Petersburg. This is the second attempt to get this project off the ground; the previous attempt was called Okhta-Center, and was sited in Krasnogvardeisky District, where I happened to have grown up. There, the residents proved far too combative for Gazprom's PR machine to handle. The public meetings went very badly, and Gazprom opted for a change of venue. The new site, in Primorsky District, is far on the outskirts, on the Gulf on Finland. Its centerpiece a 96-floor, 470m office tower, going up in a city where there are, at present, exactly zero skyscrapers.

In fact, the existing height restriction in the zone of the planned construction site is 27m. The soil there is soft and boggy, land is still relatively cheap, and so building tall structures there is strictly for the foolish. Nevertheless the planning phase should be completed this year, and the project is to be completed by 2018. There is still hope that the unfolding economic debacle in the Eurozone, which is Gazprom's major export customer, will prompt Gazprom to rethink this vanity project. If the project does proceed, then the skyscraper index will come to point squarely at Gazprom, and at the Russian Federation, in an accusatory fashion.
 
 
Image above: Rendering of 1,776 foot tall Freedom Tower (one World Trade Center) tower under construction in crowded downtown Manhattan. From (http://www.theepochtimes.com/n2/united-states/freedom-tower-one-world-trade-center-14660.html).
 
The other project worth watching is the so-called Freedom Tower, a.k.a. One World Trade Center, going up in lower Manhattan, on the site of the destroyed twin towers of the World Trade Center. It will be a symbol of your freedom to work an office job until you get laid off. It is going to be 541m tall, have 104 floors (plus 5 more underground), and will dwarf every other skyscraper in Manhattan. It is scheduled to reach full height this summer, and to open for business sometime next year.

Given the unhappy history of the site, the project will include a massive blast wall. Security at this location is bound to be very tight; perhaps too tight for you to smuggle in your wing-suit, chute and axe.
Nervous watchers of the skyscraper index may wish to take this opportunity to consider strategies for geographic diversification: away from Manhattan, away from the United States, away from Western financial institutions. As for the rest of us, let us work to diversify away from all of them. Let us stop pinning our hopes and dreams on a paper currency which the vampire bats will use to light their fireplaces once we are done slaving for it.
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Still Standing Amid the Wreckage

SUBHEAD: Time and nature will help take care of the accumulated suburban dreck on the ground. By James Kunstler on 14 May 2012 for Kunstler.com - (http://kunstler.com/blog/2012/05/still-standing-amid-the-wreckage.html) Image above: An abandoned suburban mall. From (http://www.disinfo.com/2011/09/dawn-of-the-dead-malls/). The New Urbanists held their big annual meet-up for four days last week and I stomped a big carbon footprint flying down to West Palm Beach for the doings. I don't know who exactly picked West Palm, but it was at once peculiar, disheartening, instructive, and exhausting.
The Congress for the New Urbanism has been throwing this yearly fandango since its founding in 1993 as a fire-eating reform movement dedicated to transforming the horrifying and toxic human habitat of America. Hopes were lofty in the early days that the US public would recognize the self-evident benefits of ditching suburban sprawl for walkable towns, but it didn't quite work out that way. The last frantic phase of sprawl-building commenced exactly the same time, jacked on easy lending steroids, and upping the stakes of the battle. That story ended in the baleful collapse of the housing bubble and the sad particulars need not be rehearsed here.
During the boom of the 90s and aughties, about 99.5 percent of the new real estate development was done by the conventional schlock sprawl-builders and the New Urbanists did much of the remaining .5 - which was enough to get their point across. Some of their projects (e.g. Seaside, Fla.) are now iconic examples of excellence in urban design artistry. Many others were botched by compromises made in the planning board battles, and another bunch were either half-assed from the get-go or plain fakes. These traditional neighborhood developments were almost always built on greenfield sites, provoking controversy that could not be briskly dismissed.
At the same time, quite a bit of New Urbanist work was done in re-making existing town centers and in retrofits of sclerotic older suburban parcels, and their influence was later seen in the many big city streetscape redesigns from Times Square to Santa Monica. Their laborious work in reforming the intricate idiocies of zoning law made possible better development outcomes in towns all over the land which adopted so-called Smart Codes.
The housing bubble bust massacred the New Urbanists. Many of the firms had tied their fortunes to the production house builders and the commercial real estate developers doing large projects, often hundreds of acres, and when the market imploded around 2007 their work dried up. Now there is very little new real estate development of any kind going on around the country. Many talents languish while the nation broods over the fate of its obsolete suburban dream and fails to recognize that we have to make drastically new arrangements for inhabiting the landscape.
But the mood at the 2012 CNU was still buoyant, considering. For all their vocational anguish, the New Urbanists are still about the only intellectual cohort in the USA with a coherent vision of what has gone wrong in our society -- our ruinous investments in futureless infrastructure -- and what can be done about it -- the reconstruction of traditional human habitat as the armature for enduring economies. Compared with the brainless religious zealotry and sexual hysteria of the right wing and the ruinous social services pandering of the left, the New Urbanists look like the only organized group of adults in the nation who have not completely lost their minds. So it was a pleasure to spend four days among them. They are a valiant band of cultural warriors.
Events are now in the driver's seat. The long battle against the continuation of suburban sprawl is over, despite the happy-talk noises made by what's left of the real estate industry. Half a decade of absolutely flat oil production -- propaganda to the contrary -- guarantees that the suburban project is finished. We're done building things that way (even if we don't quite realize it yet) so the New Urbanists have won the argument by default.
Quite a few non-New Urbanist "pundits" such as Ed Glaeser, the asinine Joel Kotkin, and dashing Richard Florida predict that the action has shifted to the big cities, and that may appear to be the case for this deceptive moment. But the mega-cities are in for a tsunami of troubles all their own in the form of vanishing wealth, fiscal disorder, sclerotic infrastructure failures, service interruptions, and ethnic turf battles as the effects of the epochal economic contraction bite deeper and harder. The inescapable downscaling of America means that we are heading toward a new disposition of things on the landscape in just the way the New Urbanists have prescribed: a declension of ecologies ranging from dense, walkable human-dominated urban habitats in the form of traditional towns and cities through a range of rural conditions running from farmland to wilderness necessary to support the health of the planet.
Time and nature will help take care of the accumulated suburban dreck on the ground. Humans are very skillful sorters of things and the disassembly of salvaged materials will be a big industry in a world taking a "time out" from industrial progress. The timeless principles that the New Urbanists revived will be the common sense of whatever we build in the future, even when the planning board battles of recent years are long forgotten. We will almost certainly return to social conditions in which nobody will dare put up a building devoid of conscious artistry. There's a lot to like in this quadrant of the long emergency.
The 20th reunion of old CNU friends was a little disenchanted by the conference site. West Palm Beach contains one of their showpiece projects, the nightlife and shopping district called City Place that was created out of a bombed out neighborhood. Casual observers crack on City Place as an "urban mall," but it's really just Rosemary Street rebuilt of new traditionally-scaled buildings with shops and bistros programmed in. A lot of it is generic chain business. Another sad element is the cartoonish, low quality finish of the buildings - sprayed on stucco and ornaments with no conviction. Both of these failures of quality represent the fast buck mentality of the big commercial developers and the larger vulgar so-called consumer culture they served. But City Place does include some pretty well composed public space in the form of a central plaza and a palm court running off it, and it was full of people enjoying themselves in the cafes those nights, and the ensemble managed to incorporate a very nice Beaux Arts church-turned-theater (the Harriet Himmel) in the Spanish neo-classical manner.
The trouble was when you strayed a block off Rosemary Street the fabric of the city fell apart. Some of it was just vacant land. Further east between Olive Street and the intercostal waterway stood a swath of oversized giant condo towers that represented the worst of the lamented housing bubble. Many were "see-through" buildings of empty, unsold units. The streets along these behemoths were as dead as any neighborhood on a Zombie planet, and traversing them to get anywhere was hugely depressing. The convention center, where the CNU meeting actually took place, stood off in its own twilight zone of separation, cut off from the beginning of City Place by the ghastly ten-lane Okeechobee Boulevard. The five-block walk (of very large super-blocks) to and fro from my hotel was like unto reenacting the Bataan Death March under that brutal Floridian sun.
Things are changing fast now though. The New Urbanists still standing are the strongest and most nimble. They are also the ones most deeply engaged in the trenches of architectural education, and they are as certain to win the ideology battles still raging in that realm as they won the battle over suburban sprawl.
Most of all, though, I'm glad to be home in my quiet backwater of this poor floundering nation.
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